Critical reflexivity seems expedient in a robust, burgeoning field such as sociolinguistics. Assumptions, principles, and approaches nurture implicit and explicit disciplinary canonization based on our cognitive framing and background experience—and these tenets deserve to be scrutinized judiciously. In fact, I have to admit that some of my own research unwittingly contributed to the construction of a set of ‘sociolinguistic myths’ about the development and status of African American Language (Wolfram 2007) as well as some questionable assumptions about the nature of social engagement (Wolfram 1998; Wolfram, Reaser, & Vaughn 2008). I therefore welcome this critique of the principle of error correction as a theory underlying social change. The study of language in its social context is historically embedded in an ideological struggle that pits ‘popular beliefs’ against ‘expert authority’, thus making it vulnerable to overstatement and overgeneralization—by the sociolinguistic intelligentsia as well as those speaking for popular culture.

We explore two stance-taking patterns in casual Hebrew conversation involving ya′ani/ya′anu, a discourse marker originating in colloquial Arabic. In the first, ya′ani/ya′anu, the same as Arabic yaʕni (lit. ‘it means’), frames reformulations of prior discourse serving to enhance interpersonal involvement and mutuality regarding the interlocutor's stance toward what has been said, thereby constructing intersubjectivity. The second pattern consists of a prosodic variant, ya′ani/ya′anu, functioning as a double-voiced ironic hedge. The latter is an innovation of Hebrew, brought about by its functional association with Hebrew ke′ilu ‘like’. The two uses of ya′ani/ya′anu elucidate two different processes that discourse markers in language contact situations may undergo: persistence of lexically motivated metalingual meaning, and extension of lexically unmotivated meaning. The considerably low frequency of ya′ani/ya′anu vis-à-vis ke′ilu is explained by its devaluated social meaning in current Israeli discourse, as an index of nonhegemonic religious and ethnic groups such as Arabs and Mizrahi Jews. (Discourse markers, language contact, stance-taking, (re)formulations, irony, metalanguaging, indexicality, intersubjectivity)*

This volume contributes to the study of language ideology by focusing on the historical processes through which ideological positions about the relationship of language and society are produced and reproduced. Specifically, the contributors seek to contextualize the ways that language ideologies are contested in particular, often well publicized debates about language and its relationships to society. While ostensibly about linguistic issues, these debates, at one level or another, also address questions of power and national identity.

There is little doubt that critical applied linguistics is one of the most controversial and contentious areas in linguistics today. This new book, Critical applied linguistics: A critical introduction, is an attempt to provide a much-needed detailed and comprehensive introduction to this emergent approach. It is written by Alastair Pennycook of the University of Technology, Sydney, who has been one of the major proponents of critical applied linguistics during the past decade.

Paul Chilton, Analysing political discourse: Theory and practice. London & New York: Routledge, 2004. Pp. xiv, 226. Hb $125.00, Pb $35.11.

Analysing political discourse does not merely address issues concerning either politics of language or languages of politics; it offers practical analyses of actual specimens of political text and talk. The discourses analyzed, in both the British and international arenas, include political interviews, parliamentary language, politicians' speeches, and discourses that concern foreigners and religion. The analysis is linguistically oriented, grounded in a theory of language and politics. In this review, I shall first give an overview of the linguistic theory on which the author bases his analysis and then select two actual analyses for illustration. Finally, I shall say a few words about the style of this volume.