Contents
Book Review
Making the March King: John Philip Sousa's Washington Years, 1854–1893. By Patrick Warfield. Urbana: University of Illinois Press, 2013.
-
- Published online by Cambridge University Press:
- 12 February 2016, pp. 89-91
-
- Article
- Export citation
Passamaquoddy Ceremonial Songs: Aesthetics and Survival. By Ann Morrison Spinney. Amherst: University of Massachusetts Press, 2010.
-
- Published online by Cambridge University Press:
- 18 May 2016, pp. 203-206
-
- Article
- Export citation
The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s. By Mitchell Morris . Berkeley: University of California Press, 2013.
-
- Published online by Cambridge University Press:
- 27 October 2016, pp. 499-502
-
- Article
- Export citation
Music and the Skillful Listener: American Women Compose the Natural World. By Denise Von Glahn . Bloomington: Indiana University Press, 2013.
-
- Published online by Cambridge University Press:
- 30 August 2016, pp. 368-371
-
- Article
- Export citation
Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Edited by Anna Hoefnagels and Beverley Diamond. Montréal: McGill-Queen's University Press, 2012.
-
- Published online by Cambridge University Press:
- 18 May 2016, pp. 206-210
-
- Article
- Export citation
Dig: Sound & Music in Hip Culture. By Phil Ford . New York: Oxford University Press, 2013.
-
- Published online by Cambridge University Press:
- 27 October 2016, pp. 502-505
-
- Article
- Export citation
Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives. By Matthew McDonald . Bloomington: Indiana University Press, 2014.
-
- Published online by Cambridge University Press:
- 30 August 2016, pp. 371-374
-
- Article
- Export citation
Representing the Good Neighbor: Music, Difference, and the Pan American Dream. By Carol A. Hess. New York: Oxford University Press, 2013. - Sounds of War: Music in the United States during World War II. By Annegret Fauser. New York: Oxford University Press, 2013.
-
- Published online by Cambridge University Press:
- 12 February 2016, pp. 91-97
-
- Article
- Export citation
Palestina: An Overture for the Capitol Theatre, New York. By Leo Zeitlin . Edited by Paula Eisenstein Baker and Robert S. Nelson . Middleton, WI: A-R Editions, 2014.
-
- Published online by Cambridge University Press:
- 30 August 2016, pp. 374-376
-
- Article
- Export citation
George Whitefield Chadwick. Two Overtures: Rip Van Winkle (1878) and Adonais (1899). Edited by Bill F. Faucett. Recent Researches in American Music, Vol. 55. Middleton, WI: A-R Editions, 2005. - George Whitefield Chadwick. String Quartets Nos. 1–3. Edited by Marianne Betz. Recent Researches in American Music, Vol. 58. Middleton, WI: A-R Editions, 2006. - George Whitefield Chadwick. String Quartets Nos. 4–5. Edited by Marianne Betz. Recent Researches in American Music, Vol. 60. Middleton, WI: A-R Editions, 2007.
-
- Published online by Cambridge University Press:
- 12 February 2016, pp. 97-101
-
- Article
- Export citation
The Jazz Image: Seeing Music through Herman Leonard’s Photography. By K. Heather Pinson. Jackson: University Press of Mississippi, 2010. - The Ghosts of Harlem: Sessions with Jazz Legends. Photographs and interviews by Hank O'Neal. Nashville, TN: Vanderbilt University Press, 2009.
-
- Published online by Cambridge University Press:
- 18 May 2016, pp. 210-215
-
- Article
- Export citation
Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. By Katherine Spring . New York: Oxford University Press, 2013.
-
- Published online by Cambridge University Press:
- 27 October 2016, pp. 506-508
-
- Article
- Export citation
Media Reviews
Guitar Hero Live. FreeStyle Games, 2015.
-
- Published online by Cambridge University Press:
- 30 August 2016, pp. 377-379
-
- Article
- Export citation
Book Review
Weill's Musical Theatre: Stages of Reform. By Stephen Hinton. Berkeley and Los Angeles: University of California Press, 2012. - Johnny Johnson: A Play with Music. Libretto by Paul Green and Music by Kurt Weill. Edited by Tim Carter. Kurt Weill Edition, Series I, Volume 13. New York: Kurt Weill Foundation for Music/European American Music Corporation, 2012.
-
- Published online by Cambridge University Press:
- 12 February 2016, pp. 101-107
-
- Article
- Export citation
Sounding American: Hollywood, Opera, and Jazz. By Jennifer Fleeger . New York: Oxford University Press, 2014.
-
- Published online by Cambridge University Press:
- 27 October 2016, pp. 508-511
-
- Article
- Export citation
The Beautiful Music All Around Us: Field Recordings and the American Experience. By Stephen Wade. Urbana: University of Illinois Press, 2012. With 13-track CD.
-
- Published online by Cambridge University Press:
- 18 May 2016, pp. 215-219
-
- Article
- Export citation
An Introduction to America's Music, 2nd ed. By Richard Crawford and Larry Hamberlin. New York and London: W. W. Norton, 2013.
-
- Published online by Cambridge University Press:
- 12 February 2016, pp. 107-109
-
- Article
- Export citation
Media Reviews
Follow Me Down: Portraits of Louisiana Prison Musicians. Benjamin J. Harbert, director. Films Media Group, 2012, DVD.
-
- Published online by Cambridge University Press:
- 30 August 2016, pp. 379-381
-
- Article
- Export citation
Book Review
Country Music: A Cultural and Stylistic History. By Jocelyn R. Neal. Oxford: Oxford University Press, 2013. - Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Scene. By Travis Stimeling. Oxford: Oxford University Press, 2011.
-
- Published online by Cambridge University Press:
- 18 May 2016, pp. 219-226
-
- Article
- Export citation
The New York Composers’ Forum Concerts, 1935–1940. By Melissa J. de Graaf . Rochester, NY: University of Rochester Press, 2013.
-
- Published online by Cambridge University Press:
- 27 October 2016, pp. 511-514
-
- Article
- Export citation