Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 122
“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror”
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- Published online by Cambridge University Press:
- 25 January 2008, pp. 1-26
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- Cited by 56
Music as a Technology of Surveillance
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- Published online by Cambridge University Press:
- 10 July 2018, pp. 233-267
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- Cited by 47
Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity
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- 15 October 2009, pp. 395-429
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- Cited by 40
“I Wish I Knew How It Would Feel to Be Free”: Nina Simone and the Redefining of the Freedom Song of the 1960s
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- 18 July 2008, pp. 295-317
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- Cited by 33
The Virtual Discourses of Pamela Z
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- 08 March 2007, pp. 57-77
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- Cited by 28
Neoliberalism and the Musical Entrepreneur
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- 12 February 2016, pp. 33-53
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- Cited by 28
Janelle Monáe's Dirty Computer Music Video/Film: A Collective Reading
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- 04 June 2019, pp. 250-271
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- Cited by 27
Rough Americana. By DJ Mutamassik (turntables, tape recorder, and effects) and Morgan Craft (stunt guitar). Circle of Light COL 002, 2003.
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- 01 May 2008, pp. 283-287
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- Cited by 16
From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign
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- 11 May 2015, pp. 178-203
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- Cited by 15
The Ambassadorial LPs of Dizzy Gillespie: World Statesman and Dizzy in Greece
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- 30 August 2016, pp. 239-269
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- Cited by 14
Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions
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- 16 May 2017, pp. 184-214
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- Cited by 14
Racial Segregation and the San Francisco Musicians' Union, 1923–60
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- 16 May 2007, pp. 161-206
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- Cited by 14
Improvisation and Value in Rock, 1966
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- 24 April 2020, pp. 197-232
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- Cited by 14
Airing Authenticity: The BBC Jam Sessions from New York, 1938/39
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- 13 August 2012, pp. 271-314
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- Cited by 13
White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters
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- 16 May 2007, pp. 207-255
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- Cited by 12
Ballad for Incarcerated Americans: Second Generation Japanese American Musicking in World War II Camps
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- 23 August 2017, pp. 284-312
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- Cited by 12
John Philip Sousa and “The Menace of Mechanical Music”
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- 15 October 2009, pp. 431-463
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- Cited by 11
Reich in Blackface: Oh Dem Watermelons and Radical Minstrelsy in the 1960s
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- 14 April 2011, pp. 139-193
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- Cited by 10
Joseph Johnson's Lost Gamuts: Native Hymnody, Materials of Exchange, and the Colonialist Archive
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- 07 January 2020, pp. 482-507
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- Cited by 9
Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race
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- 01 August 2009, pp. 341-363
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