Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 5
The Origins of the Roman ‘Colossal Baroque’
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- Published online by Cambridge University Press:
- 01 January 1979, pp. 115-128
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- Cited by 5
Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked
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- 01 January 2020, pp. 1-43
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- Cited by 5
Schenker versus Schoenberg versus Schenker: The Difficulties of a Reconciliation
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- 01 January 2020, pp. 250-274
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- Cited by 4
The Performance of Ensemble Music in Elizabethan England
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- Published online by Cambridge University Press:
- 01 January 1970, pp. 113-123
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- Cited by 4
Adorno's Mahler and the Timbral Outsider
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- 01 January 2020, pp. 38-82
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- Cited by 4
Music in the Viennese Popular Theatre of the Eighteenth and Nineteenth Centuries
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- 01 January 2020, pp. 101-112
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- Cited by 4
Eighteenth-Century Models of French Recitative
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- 01 January 2020, pp. 232-250
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- Cited by 4
Palestrina as Historicist: The Two L'homme armé Masses
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- 01 January 2020, pp. 191-205
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- Cited by 4
The King's Musick
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- 01 January 2020, pp. 29-45
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- Cited by 4
On Some Bearings of the Historical Method upon Music
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- 01 January 2020, pp. 1-17
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- Cited by 4
English Country Psalmodists and their Publications, 1700–1760
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- 01 January 2020, pp. 220-239
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- Cited by 4
Fifteenth-Century Evidence for Meantone Temperament
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- Published online by Cambridge University Press:
- 01 January 1975, pp. 37-51
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- Cited by 4
Modernism and Popular Music
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- 01 January 2020, pp. 200-204
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- Cited by 4
Music and Contemplation in the Twelfth-Century Dulcis Jesu memoria
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- 01 January 2020, pp. 1-39
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- Cited by 4
Vivaldi and Rome: Observations and Hypotheses
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- Published online by Cambridge University Press:
- 01 January 2020, pp. 28-46
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- Cited by 4
Arne, Handel, Walsh, and Music as Intellectual Property: Two Eighteenth-Century Lawsuits
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- 01 January 2020, pp. 112-145
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- Cited by 4
The History and Uses of the Sol-Fa Syllables
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- 01 January 2020, pp. 35-51
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- Cited by 4
Pulp, Pornography and Spectatorship: Subject Matter and Subject Position in Pulp's This is Hardcore
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- 01 January 2020, pp. 83-106
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- Cited by 4
Frescobaldi's Early Inganni and Their Background
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- 01 January 1978, pp. 1-12
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- Cited by 4
The Politics of Reception: Tailoring the Present as Fulfilment of a Desired Past
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- 01 January 2020, pp. 280-298
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