1969 was a time of some introspection for the
architectural profession in India. The vision of
bold architecture that Nehru had nurtured so
personally was now in full bloom. It was, after all,
a decade since he had urged architects to break the
shackles of tradition in support of Chandigarh – an
experiment to embolden the spirit of New India.
There was a general sense of relief from
professionally trained architects, because for them
this political support meant that they could now do
what they did best. Not out of choice, but training,
they were freed from the burden of addressing
tradition, and they could now address foreign
design. This was also the time when many were
‘returning home’ after training in European and
American schools, and were putting into practice
what they had learnt abroad. The ‘foreign-returned’
were the ‘real’ architects who took upon themselves
the task of educating their clients, and changing
the face of India. They were ‘real’ also because
only they had had first-hand experience of what was
being taught from books in architecture schools all
over India. With scholarship schemes set up by the
Nehru government facilitating architects to study in
America, it was there that many young architects
went to complete their education. Once back they
would set their euphoria in concrete and glass. And
by 1969 there were already quite a few examples of
American-inspired designs in the portfolio of Modern
India, and its novelty was beginning to wear
off.