Like other Britons in colonial India, Sir William
Sleeman had a poor opinion of the traditional holy
men who still formed an important part of Indian
society in the nineteenth century. Reflecting his
writings on the suppression of the Thugs that would
make him famous, Sleeman declared that, “There is
hardly any species of crime that is not throughout
India perpetrated by men in the disguise of these
religious mendicants; and almost all such mendicants
are really men in disguise”.1 None of these holy
men were considered more dubious – more
superstitious and reactionary – than the dervishes
and faqīrs. In popular Indian usage
the terms darwīsh and
faqīr referred to a class of
Muslim holy men who were considered to possess a
range of miraculous powers, powers which served to
demonstrate their proximity to God; and so in turn
to underwrite their considerable authority.2 For
many British officials, it was this authority that
stood at the heart of what they saw as the
faqīr problem. As the rumours
that surrounded the various ‘mutinies’ of the
nineteenth century demonstrate,
faqīr s were seen as the
perpetual ringleaders of rebellion and sedition.
Nowhere were these concerns more insistent than in
the circles of India's colonial armies, which more
than any other aspect of colonial society relied on
loyalty to a formalised and rational chain of
command. Yet in spite (and in some ways because) of
these fears, the commanders of the various armies
under British command in India were anxious to
demonstrate their respect for the autonomy of the
religious rights of the Indian soldier. Through the
course of the nineteenth and early twentieth
century, the Islam of ‘Jack Sepoy’ or the Indian
soldier fell in between this tension of covert
suspicion and official respect, and in different
ways the careers of a series of Muslim holy men
attached to the Muslim soldiers were shaped by this
tension. Over the following pages, this essay
examines the careers of three faqīr
s connected to the Hyderabad Contingent, the army
under British command in the nominally independent
princely state of Hyderabad in South India, better
known as the Nizam's State. Looking out from this
princely corner of Britain's ‘informal empire’, the
essay uses a number of forgotten small-town texts in
Urdu to begin to reconstruct the religious history
of the Indian soldier from the inside, as it were,
and so to create an ethnohistory of Islam in the
colonial armies of the British Empire.3