This paper on Ofelia Schutte's work discusses five main themes: gender oppression in the context of Latin American theories of social liberation; normative heterosexuality in Beauvoir and Irigaray; Schutte's analysis of women and capitalist globalization processes; her work on cultural identities; and the possibility of feminist transnational identities. 1 conclude with a comment on her postcolonial epistemological method in addressing cultural incommensurability and the possibility of a common agenda for transnational feminism.

Stanley Cavell reflects on the writing of Barbara Cassin in light of his interest in interpreting certain philosophers as “philosophically destructive,” where this destructiveness may in fact be understood as philosophically creative. Cavell suggests that the writings of Austin and Wittgenstein may be considered in these terms, and speculates on the potential interest these writers might have for Cassin. Cassin's call for a rethinking of philosophy might be seen as uniquely essential to the practice of Austin and Wittgenstein.

Proust interrogates Gilles Deleuze's notion of resistance in relation to death as that which is “turned against death.” She questions a concept of resistance which is “no more than impassivity and indifference.” How, she asks, can we know if the force of resistance is on the side of death or life? Characterizing life as movement, she speaks for a concept of resistance as on the side of life.

While Sarah Hoagland's conception of a lesbian ethic offers a promising route toward articulating an ethics of resistance, her notion of self in community does not provide a conception of “subject” capable of both embracing political action as fundamental to personal life and explicitly recognizing cultural, ethnic, and sexual multiplicity as central to ethical decision-making. Such a notion can be found, however, in the remarks of later Wittgenstein concerning the “language games” of describing.

In this essay, I examine the arguments against physician-assisted suicide (PAS) Susan Wolf offers in her essay, “Gender, Feminism, and Death: Physician-Assisted Suicide and Euthanasia.” I argue that Wolf's analysis of PAS, while timely and instructive in many ways, does not require that feminists reject policy approaches that might permit PAS. The essay concludes with reflections on the relationship between feminism and questions of agency, especially women's agency.

This article shows that the relationship between Simone de Beauvoir's novel, Le Sang des autres (The Blood of Others), first published in 1945, and her essay, Pour une morale de l'ambiguïté (The Ethics of Ambiguity), first published in 1947, illustrates her point in “Littérature et métaphysique” that an abstract philosophical theory is grounded in immediate metaphysical experience. An original ethical position emerges from Hélène Bertrand's lived experience in the novel, which anticipates feminist issues addressed in The Second Sex more directly than does Beauvoir's essay.

This essay considers the important role attributed to education in the writings of nineteenth-century feminist Harriet Taylor Mill. Taylor Mill connected ignorance to inequality between the sexes. She called up the specter of regression into lowness and ignorance when she associated feminism with progress. As she stressed the importance of education, she constructed an‘other’ to feminism, variously associated with lowness, poverty, and the primitive. She made a case for the advantages of civilization (education, enfranchisement, equality) to be opened up to women. Yet Taylor Mill's position that the ignorant poor, like all humans, should be in a position of so-called “perfect equality” drifted intermittently into the view that the elevation of women to perfect equality would refine and elevate the lower classes.

If we view the aim of feminist science as truthlikeness, instead of either absolute or relative truth, then we can explain the sense in which the feminist sciences bring an objective advance in knowledge without implicating One True Theory. I argue that a certain non-linguistic theory of truthlikeness is especially well-suited to this purpose and complements the feminist epistemologies of Harding, Haraway, and Longino.

This essay discusses the place of popular culture, especially visual representation, in theories of female subjectivity and examines two recent works on women and popular culture as representative of two primary critical and methodological approaches to the female subject. The essay considers the limitations and implications of both qualitative communication research and text-based feminist criticism and the need to construct a dialogue between them.

This essay participates in a feminist postcohnial critical historiographyfepistemol’ ogy by providing a critique of The Post-Colonial Critic: Interviews, Strategies, Dialogues. The essay considers Spivak's success in interrogating her own position as a leading postcohnial critic as she engages in dialogues with various people. Spivak's commitment to cross-cultural exchanges is undeniable. However, at times the resurgence of her authoritative subject position deflects productive tensions generated by careful scrutiny of the category postcohnial.

Suffrage graphics constitute one of the first collective, ideological, artistic expressions by American women. Premised on the popular view of woman's nature as virtuous, responsible, and nurturant, this art nonetheless challenged traditional practices and demanded political change. Interrelationships between feminism, art, and the historical context are explored in this analysis of women's imagery.

This essay focuses on how we embody the language we speak: how an audience “reads” the body of a speaker as it both constructs the positionality of that speaking subject and construes that subject's discursive authority. Buildingon the work of Linda Brodkey and Michelle Fine, 1 explore what is at stake when university students harass a faculty member by accusing that teacher of not embodying authority in the proper form (body).

The fight for emancipation takes place on different levels, and one of them is the level of contemporary financial capitalism as debt‐economy. Debt can be a major tool of control and exploitation in that it produces subordinate subjects situated in exchange relations of debt and credit. Recent work on financial debt and the debt‐economy has, however, not taken gender adequately into account in philosophical definitions of indebted subjects. Gender analysis discloses how the debtor–creditor relationship is based on a contractarian idea of the indebted subject as an autonomous moral agent (Pateman and Mills 2007), and on a masculine, that is, a‐relational understanding of what counts as debt and what does not in the contemporary debt‐economy. In contrast to atomistic notions of the subject in liberal, contractarian theories (deriving from Locke and Hobbes), relational notions of the subject as advanced in care ethics are a better point of departure for capturing the interdependence of subjects within a debt‐economy as a core feature of a nonsustainable monetary system. On the basis of such analysis, care ethics also offers means for imagining ways of emancipation from private and public problem credit in order to make financial systems more sustainable and more just.