Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-23T20:28:34.275Z Has data issue: false hasContentIssue false

Suffrage Art and Feminism

Published online by Cambridge University Press:  25 March 2020

Abstract

Suffrage graphics constitute one of the first collective, ideological, artistic expressions by American women. Premised on the popular view of woman's nature as virtuous, responsible, and nurturant, this art nonetheless challenged traditional practices and demanded political change. Interrelationships between feminism, art, and the historical context are explored in this analysis of women's imagery.

Type
Research Article
Copyright
Copyright © 1990 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Buhle, Mari Jo. 1981. Women and American socialism, 1870‐1920. Urbana, IL: University of Illinois Press.Google Scholar
Caswell, Lucy. 1988. Edwina Dumm: Political cartoonist 1915‐1917. Journalism History 15 (1): 17.CrossRefGoogle Scholar
Cott, Nancy. 1987. The grounding of modem feminism. New Haven: Yale University Press.Google Scholar
Crane, Walter, [1896] 1978. Cartoons for me cause, 1886‐1896. London: Journeyman Press.Google Scholar
Dresner, Zita. 1985. Sentiment and humor: A double‐pronged attack on women's place in nineteenth‐century America. Studies in American Humor 4(1&2): 1829.Google Scholar
Fishbein, Leslie. 1988. Introduction to Art for the Masses by Rebecca Zurier. Philadelphia: Temple University Press.Google Scholar
Fitzgerald, Richard. 1973. Art and politics. Westport, CT: GreenwoodGoogle Scholar
Irwin, Inez Haynes. 1921. The story of the woman's party. New York: Harcourt Brace.Google Scholar
Korzenik, Diana. 1985. Drawn to art. Hanover: University Press of New EnglandGoogle Scholar
Kraditor, Aileen S. [1965] 1981. The ideas of the woman suffrage movement, 1890‐1920. New York: W.W. Norton.Google Scholar
Rogers—Cartoonist, Lou. 1913. Woman's Journal 44 (31): 243.Google Scholar
Marsh, Jan. 1987. Pre‐Raphaelite women: Images of femininity. New York: Harmony Books.Google Scholar
Robbins, Trina and Yronwode, Catherine. 1985. Women and the comics. Guerneville, CA: Eclipse Books.Google Scholar
Rogers, Lou [pseud.]. 1927. Lightning speed through life. Nation 124 (3223): 395397. See Showalter (1989).Google Scholar
Schwan, Judith. 1986. Radical feminists of heterodoxy. Norwich, VT: New Victoria Publishers.Google Scholar
Sheppard, Alice. 1984. There were ladies present! American women cartoonists and comic artists in the early twentieth century. Journal of American Culture 7(3): 3848.CrossRefGoogle Scholar
Sheppard, Alice. 1985. Tactics of persuasion: Pro‐suffrage cartoons by American women. Paper presented at meeting of National Women's Studies Association, Seattle.Google Scholar
Showalter, Elaine, ed. 1989. These modem women. New York: The Feminist Press.Google Scholar
Sochen, June. 1972. The new woman: Feminism in Greenwich Village, 1910‐1920. New York: Quadrangle.Google Scholar
“The Suffragist” as a publicity medium. 1918, February 23. Suffragist 6 (107): 9.Google Scholar
Tickner, Lisa. 1988. The spectacle of women: Imagery of the suffrage campaign, 1907‐1914. Chicago: University of Chicago Press.Google Scholar
Walker, Nancy. 1988. A very serious thing: Women's humor and American culture. Minneapolis: University of Minnesota Press. A woman destined—to do big things. 1913. Cartoons 3(2): 76‐77.Google Scholar
Zurier, Rebecca. 1988. Art for the Masses. Philadelphia: Temple University Press.Google Scholar