Notes on Contributors
CONTRIBUTORS
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CONTRIBUTORS
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- 20 August 2019, pp. 107-108
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Editorial
EDITORIAL
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Editorial
EDITORIAL
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- 20 August 2019, pp. 109-113
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Articles
JAMES CERVETTO AND THE ORIGIN OF HAYDN'S D MAJOR CELLO CONCERTO
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- 14 February 2019, pp. 9-29
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SOUNDS TO ESTABLISH A CORPS: THE ORIGINS OF THE UNITED STATES MARINE BAND, 1798–1804
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- 20 August 2019, pp. 115-132
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EIGHTEENTH-CENTURY ORATORIO REFORM IN PRACTICE: APOSTOLO ZENO REVISES A FLORENTINE LIBRETTO
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- 14 February 2019, pp. 31-52
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FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY
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- 20 August 2019, pp. 133-154
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Reviews: Books
DIETRICH BARTEL, TRANS. AND ED. ANDREAS WERCKMEISTER'S MUSICALISCHE PARADOXAL-DISCOURSE: A WELL-TEMPERED UNIVERSE Lanham, MD: Rowman & Littlefield, 2017 pp. xv + 157, isbn978 1 498 56634 6
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- 14 February 2019, pp. 53-55
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Essays
THE POLISH-SAXON EPISODE IN THE LIFE OF GREGOR JOSEPH WERNER
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- 20 August 2019, pp. 155-165
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Reviews: Books
OLIVIA BLOECHL OPERA AND THE POLITICAL IMAGINARY IN OLD REGIME FRANCE Chicago: University of Chicago Press, 2017 pp. xiii + 286, isbn978 0 226 52275 3
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- 14 February 2019, pp. 56-58
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REBECCA HARRIS-WARRICK DANCE AND DRAMA IN FRENCH BAROQUE OPERA: A HISTORY Cambridge: Cambridge University Press, 2016 pp. xx + 484, isbn978 1 107 13789 9
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- 20 August 2019, pp. 167-169
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GIANLUCA BOCCHINO AND CECILIA NICOLÒ, EDS JOMMELLIANA: UN OPERISTA SULLA SCENA CAPITOLINA. STUDI SUL PERIODO ROMANO DI NICCOLÒ JOMMELLI Lucca: Libreria Musicale Italiana, 2017 pp. xxviii + 171, isbn978 8 870 96907 8
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- 14 February 2019, pp. 58-60
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DEIRDRE LOUGHRIDGE HAYDN'S SUNRISE, BEETHOVEN'S SHADOW Chicago: University of Chicago Press, 2016 pp. 328, isbn978 0 226 33709 8
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- 20 August 2019, pp. 169-172
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EMILY H. GREEN AND CATHERINE MAYES, EDS CONSUMING MUSIC: INDIVIDUALS, INSTITUTIONS, COMMUNITIES, 1730–1830 Rochester, NY: University of Rochester Press, 2017 pp. vii + 255, isbn978 1 580 46577 9
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- 14 February 2019, pp. 60-63
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NANCY NOVEMBER CULTIVATING STRING QUARTETS IN BEETHOVEN'S VIENNA Woodbridge: Boydell, 2017 pp. ix + 258, isbn978 1 783 27232 7
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- 20 August 2019, pp. 172-174
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JEFFREY S. SPOSATO LEIPZIG AFTER BACH: CHURCH AND CONCERT LIFE IN A GERMAN CITY Oxford: Oxford University Press, 2018 pp. xix + 313, isbn978 0 190 61695 3
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- 20 August 2019, pp. 174-177
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ELLEN LOCKHART ANIMATION, PLASTICITY, AND MUSIC IN ITALY, 1770–1830 Oakland: University of California Press, 2017 pp. xi + 218, isbn978 0 520 28443 2
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- 14 February 2019, pp. 63-67
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BIRGIT LODES, ELISABETH REISINGER AND JOHN D. WILSON, EDS BEETHOVEN UND ANDERE HOFMUSIKER SEINER GENERATION: BERICHT ÜBER DEN INTERNATIONALEN MUSIKWISSENSCHAFTLICHEN KONGRESS BONN, 3. BIS 6. DEZEMBER 2015 Bonn: Verlag Beethoven-Haus, 2018 pp. x + 314, isbn978 3 88188 152 4
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- 14 February 2019, pp. 67-69
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Reviews: Editions
FRANÇOIS COUPERIN (1668–1733), ed. DENIS HERLIN PIÈCES DE CLAVECIN, PREMIER LIVRE (1713) / PIÈCES DE CLAVECIN, SECOND LIVRE (1717) Kassel: Bärenreiter, 2016 / 2018 pp. xxxvi + 128, ismn979 0 006 50561 6 / pp. xxxviii + 137, ismn979 0 006 50562 3
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- 20 August 2019, pp. 178-180
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