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Extending the psycho-historical framework to understand artistic production

Published online by Cambridge University Press:  18 March 2013

Aaron Kozbelt  and
Justin Ostrofsky
Aaron Kozbelt
Affiliation:
Department of Psychology, Brooklyn College and the Graduate Center of the City, University of New York, Brooklyn, NY 11210-2889. [email protected]@brooklyn.cuny.eduhttp://www.brooklyn.edu/web/academics/faculty/faculty_profile.jsp?faculty=437
Justin Ostrofsky
Affiliation:
Department of Psychology, Brooklyn College and the Graduate Center of the City, University of New York, Brooklyn, NY 11210-2889. [email protected]@brooklyn.cuny.eduhttp://www.brooklyn.edu/web/academics/faculty/faculty_profile.jsp?faculty=437
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Abstract

We discuss how the psycho-historical framework can be profitably applied to artistic production, facilitating a synthesis of perception-based and knowledge-based perspectives on realistic observational drawing. We note that artists' technical knowledge itself constitutes a major component of an artwork's historical context, and that links between artistic practice and psychological theory may yet yield conclusions in line with universalist perspectives.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 36 , Issue 2 , April 2013 , pp. 148 - 149
Copyright
Copyright © Cambridge University Press 2013 

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