The site of L’anse de la République, Talmont-Saint-Hilaire, Vendée, France, belonging to the Beaker culture, was discovered by Roger Joussaume in the 1960s. It was subsequently investigated during the late 1980s and more recently in 2014. Several items excavated during these operations are clearly linked to metallurgy. This article assesses the results of new analyses (XRF, petrographic analysis, metallographic microscope observation, SEM and EDS microprobe analysis) undertaken on the different artefacts (copper residue, slags, smelting-crucible sherds), which allow the authors to assert that copper ore was smelted on the site. Radiocarbon dating of organic residue preserved on a ceramic sherd confirms the dating of the site to the earliest phase of the Beaker culture (2500 bc). The metallic copper produced here is characterised by two main impurities: arsenic and nickel. This provides an opportunity to review the extremely rare vestiges of Beaker metallurgy in France, which contrast with the numerous metal objects recovered. This article also considers the use of domestic smelting vessels for smelting ore; this technique may have been more widespread than previously thought in the Beaker culture on the Atlantic coast of Europe.

Iona was a major European intellectual and artistic centre during the seventh to ninth centuries, with outstanding illustrated manuscripts, sculpture and religious writings produced there, despite its apparently peripheral location ‘at the ends of the earth’. Recent theological discourse has emphasised the leading role of Iona, and particularly its ninth abbot, Adomnán, in developing the metaphor of the earthly monastery as a mirror of heavenly Jerusalem, allowing us to suggest a new appreciation of the innovative monastic layout at Iona and its influence on other monasteries in northern Britain. The authors contend that the unique paved roadway and the schematic layout of the early church, shrine chapel and free-standing crosses were intended to evoke Jerusalem, and that the journey to the sacred heart of the site mirrored a pilgrim’s journey to the tomb of Christ. The key to this transformative understanding is Charles Thomas’s 1956–63 campaign of excavations on Iona, which this article is publishing for the first time. These excavations were influential in the history of early Christian archaeology in Britain as they helped to form many of Thomas’s ideas, later expressed in a series of influential books. They also revealed important new information on the layout and function of the monastic complex, and produced some unique metalwork and glass artefacts that considerably expand our knowledge of activities on the site. This article collates this new information with a re-assessment of the evidence from a large series of other excavations on Iona, and relates the results to recent explorations at other Insular monastic sites.

In 2007, near Harrogate, in North Yorkshire, a Viking-period hoard was discovered with a Carolingian silver-gilt cup. This article examines this cup, highlighting Oriental, Central Asian and classical parallels in both metal and pottery for the cup’s form and decoration. The overall significance of the cup’s iconography has already been thoroughly discussed by Professor Egon Wamers, who proposed that the scenes on the cup are paralleled in the early ninth-century Stuttgart Psalter. This article proposes that Oriental forms and decorative elements in metalwork were channelled to the West through diplomatic contacts and trade by way of a complex of routes by land and sea, as well as possibly by refugees from Islamic conquests.

This paper explores some 220,000 medieval objects recorded in the Portable Antiquities Scheme (PAS) online database of archaeological small finds through Geographic Information System analysis of their relationship with contemporary market sites. First, an overview of the contents of the PAS database is presented in terms of its spatial and ‘object type’ distribution. Second, the relationship of the medieval finds data against documentary evidence of commercial activity is investigated at a national level. Finally, PAS data is contextualised in its historical landscape context through case studies. It is argued that the distribution of PAS finds on the national scale can be linked with patterns of commercial activity, and that while rural and urban finds scatters have distinguishing trends, the countryside population enjoyed access to a range of sophisticated metalwork culture; also, that certain assemblages can be analysed statistically to yield new data and perspectives on local historical development.

This paper analyses the evidence relating to the heraldry used by the patriarchs of the de Bohun family (1066–1373) as preserved in seal impressions, rolls of arms, manuscripts, wills, inventories and personal objects held in private collections. It traces the development of the family’s coat of arms, as well as the adoption and use by the de Bohun earls of various heraldic symbols (such as the swan, the trefoil, the leopard and the wyvern) to serve as a reminder of the family’s glorious ancestry and its many royal and noble marital alliances. By analysing the unique heraldry adopted by each de Bohun earl, this paper concludes that the family’s noble identity evolved over several generations and that the choice of heraldic symbols by each earl was highly individual, providing a unique insight into their sense of identity and personal values, as well as their desire to ensure family memory.

Physical evidence of weapon trauma in medieval burials is unusual, and evidence for trauma caused by arrowheads is exceptionally rare. Where high frequencies of traumatic injuries have been identified, this is mainly in contexts related to battles; it is much less common in normative burials. Osteological analysis of one context from an assemblage of disarticulated and commingled human bones recovered from a cemetery associated with the thirteenth-century Dominican friary in Exeter, Devon, shows several instances of weapon trauma, including multiple injuries caused by projectile points. Arrow trauma is notoriously difficult to identify, but this assemblage shows that arrows fired from longbows could result in entry and exit wounds in the skull not incomparable to modern gunshot wounds. Microscopic examination of the fracture patterns and spalling associated with these puncture wounds provides tentative evidence that medieval arrows were fletched to spin clockwise. These results have profound implications for our understanding of the power of the medieval longbow, for how we recognise arrow trauma in the archaeological record and for our knowledge of how common violent death and injury were in the medieval past, and how and where casualties were buried.

This paper presents the results of a case study of wax seals dated between 1225 and 1250 from St Ethelbert’s Hospital, Hereford. When medieval matrices were impressed into soft wax, handprints were often left on the reverse of the seal. The use of modern forensic techniques to capture and compare these prints provides evidence about the process of sealing and its relationship to the individual matrix owner. Seals with the same print on the reverse could be impressed with different matrices, and impressions of the same matrix have different prints on the reverse. The impressing of the matrix was not, then, as has been claimed, the responsibility of the matrix owner as the only way to impress their identity into the wax. This evidence allows a reappraisal of administrative developments in sealing, and the separation of the process of sealing from both the performance of livery of seisin and the seal owner.

An early rescue excavation in 1900 revealed part of a medieval building of the Dominican friary of Black Friars, London. Further archaeological work in the twentieth century revealed other parts of the building. Here, the authors consider the archaeological and architectural evidence, including a preserved in situ window and two relocated ex situ architectural features. Alfred Clapham suggested in a 1912 article in Archaeologia that the building was the Dominican provincial prior’s house; the present authors instead identify the ground-floor chamber as the late thirteenth-century chapter house. Construction of the friary (the second London Black Friars) began in 1278 or 1279 and the chapter house, funded by a will of 1281, was probably built later in the 1280s. The lower chamber was a well-lit, five-bay undercroft with a quadripartite vault rising from Reigate stone responds and Purbeck marble columns: this was probably the chapter house chamber. The hall-like chamber over was approximately 57ft by 28ft (17.3m × 8.5m) and may have been the library. The building may be the work of Robert of Beverley, the king’s master mason from 1260, perhaps in conjunction with Michael of Canterbury. French royal works of the thirteenth century (such as the lower chapel of the Sainte-Chapelle, Paris) may have served as inspiration.

This paper draws upon documentary, visual and archaeological evidence to chart the development of the sacristy of Westminster Abbey from its construction as one of the earliest parts of the abbey’s thirteenth-century rebuilding to its demolition in the mid-eighteenth century − a story that reflects wider changes of religious and political history.

This paper uses evidence from a previously unresearched ecclesiastical textile associated with Archbishop John Morton (c 1420−1500) to generate new insights into the material culture of the Roman Catholic faith before, during and after the penal period in England (c 1558−1829). This composite textile was initially thought to be made up of fragments of a late 1400s cope bearing Morton’s rebus, reconfigured as an altar frontal, which had survived in the house of an important Roman Catholic family. The embroidered motifs include a unique Lily Crucifix. The textile’s complex biography is ‘unpicked’ using physical and textual evidence to understand its changing forms, roles and significance. Analysis of the material and construction, combined with evidence gained through X-radiography, showed the frontal to be composed of parts of a cope and at least one other vestment, with a now missing image of the Annunciation. Mapping the stages of fragmentation, removal and re-modelling demonstrates the transformation of significant mainstream vestments into other forms. The paper illuminates aspects of Morton’s faith and provides new insights into the practices of recusant Roman Catholics.

A forgotten aspect of Henry viii’s architectural patronage and of the panoply of early modern European warfare is that of the timber lodging. Through two key case studies, this paper explores King Henry viii’s timber lodgings and demonstrates that not only did they form an important class of ephemeral architecture that successfully employed innovative technologies to make such structures portable for military campaigns, they were also used in conjunction with the royal tents to provide comfortable and secure battlefield accommodation for the king. The paper recreates their construction, functions, symbolism and elaborate appearance, revealing that the earlier timber lodging comprised a two-chambered wooden building which was painted externally to resemble brickwork and which was used at the sieges of Thérouanne and Tournai in 1513, while the later timber lodging was used at the siege of Boulogne in 1544. Through a close analysis of the surviving accounts for the making of the 1544 structure, the article demonstrates that it was an extravagant and architecturally pretentious building that combined the martial imagery of late medieval Gothic with refined touches of classicism. The paper also shows that the lodging used in 1544 is both recorded in the posthumous 1547 inventory of Henry viii’s possessions and appears in the engravings of the Cowdray House murals, held by the Society of Antiquaries of London.

Spalding Gentlemen’s Society holds, among its varied collections of William Stukeley papers, a virtually unknown set of forty-four important drawings dating from 1720–64. It is an intimate collection closely connected with Stukeley and his immediate family: portraits, his houses and gardens in Lincolnshire and Kentish Town, and a few miscellaneous family history papers. Originally, the collection was bound into an album which, as the latest drawing dates from the year before Stukeley’s death, was almost certainly compiled post mortem by a family member. For many years the collection was lost, but recent investigation has revealed that c 1866–7 it was purchased by Sir Thomas Phillipps, Bart., and sold at auction in 1910. It has been in Spalding ever since, arriving at the Spalding Gentlemen's Society possibly about 1950. Cataloguing the collection was recently undertaken by this author and the enhanced significance given by this and the revealed provenance enabled the Society to apply successfully to the Heritage Lottery Fund for a grant towards conservation and storage. The great value of the collection is that it hugely increases our knowledge of Stukeley’s houses and gardens, particularly his garden works, and illuminates the evolution of Stukeley’s thoughts on garden design.

This article presents the first archaeological survey of the ornate Kidichi baths on Zanzibar. The baths were built either for or by Shihrazad, a wife of Zanzibar’s nineteenth-century ruler Said bin Sultan (1806–56). Laser scanning the ornate plaster stucco clarified two inscriptions, the precise meaning of which had been lost. By combining archaeological survey results with historical research and a translation of the inscriptions, a new narrative is presented in which the main protagonist is, unusually, female. Her story raises a host of questions relating to heritage, gender, religion and politics in modern-day Africa and beyond.

Parramatta was the second British settlement established in mainland Australia, and for a time was the largest. Its burial ground and monuments, the oldest surviving British cemetery in mainland Australia, provides important evidence for the aspirations, attitudes and practices within this fledgling community. It reveals the role of improvement concepts and practices in popular as well as governmental culture, representing an experiment in secular control over burial decades before the urban non-denominational cemetery first appears in England. The primary chronological focus here is from the foundation of settlement in 1788 to c 1840, by which time free settlers as well as emancipists had transformed Parramatta from a convict settlement into a colonial town.

The Taunton Stop Line was a defensive work built in the second half of 1940 to contain a possible German invasion of the south-west peninsula of Britain. The line ran across the ‘waist of the South West’ from the mouth of the river Parrett (in Somerset) to the mouth of the River Axe at Seaton (in Devon). This was a massive feat of construction involving both military and civilian personnel working under the threat of an imminent German invasion. Recently, some fifty contemporary sketches have come to light that were used to show the builders how to camouflage the individual pillboxes and emplacements. Discovering that many of these drawings were by well-known artists has led to an investigation of their role, an evaluation of their contribution to the camouflage, its effectiveness and limitations, and how this influenced subsequent army camouflage doctrine. They are believed to be the only such set of drawings to have survived.

This paper reviews the Society of Antiquaries’ Evolution of the Landscape project, which started in 1974, and the project’s Sarsen Stones in Wessex survey. The survey was an ambitious public archaeology undertaking, involving c 100 volunteers led by Fellows of the Society during the 1970s. Its aims, objectives and outcomes are described in this article. The survey’s unique dataset, produced for the counties of Wiltshire, Hampshire and Dorset, has now been digitised. Drawing on the dataset, the paper situates the Evolution of the Landscape project in the context of later twentieth-century British archaeology. It demonstrates the importance not only of individual Fellows, but also contemporary movements in academic and development-led archaeology, to the direction of the Society’s activities in this formative period for the discipline today, and shows how the Society’s research was engaged with some of archaeology’s most pressing cultural resource management issues.