This 2021 ASA Presidential Lecture combines sociopolitical history with personal reflections on Black Harlem during African decolonization. It begins at the turn of the twentieth century and traces Harlem’s transformation into an international center of pan-Africanist activism and cultural production. Brown explores solidarities that grew as Harlem politicians, grassroots leaders, and residents encountered political exiles and cultural leaders from the continent, the diaspora, and aligned political movements worldwide. These alliances and modes of protest facilitated a hardening of militant activist traditions and cultural cohesion that shaped an anti-imperialist pan-African movement and ultimately a multinational Black political movement in the 1960’s to 1990s.

In April 2014, Boko Haram kidnapped almost three hundred girls attending school in Chibok, Nigeria. The #BringBackOurGirls campaign emerged as a global activist movement in the aftermath of that kidnapping. Onah’s article analyzes the global mediascapes of the campaign to show the mnemonic affordances of the Chibok girls’ kidnapping and the intermedial dynamics that coalesced to make it a global memory phenomenon. By foregrounding the transhistorical and intermedial connections at the core of the #BringBackOurGirls campaign, it consolidates the understanding of remediation in memory studies. Consequently, Onah proposes new ways to understand African memorial traditions and testimonial practices in an increasingly hyperconnected world.

Studies of protest in contemporary Africa often fail to address three related dynamics. First, rural radicalism has long been more central to African political struggles, even urban ones, than is commonly recognized. Second, the ongoing transformation of rural political economies links them to those of urban areas and has changed struggles over land and resources. Finally, these changes have reduced the power of traditional authorities and increased the appeal of nonviolent protest, as well as shifting protest toward a more national mode in which rural populations are increasingly central. Mampilly elaborates on these propositions, which are derived from brief examinations of both historical and contemporary examples of rural protest across Africa, before applying them to a deep analysis of LUCHA, a social movement in the Democratic Republic of Congo.

Drawing on their own field studies, the authors examine how state and local actors involved in resource management and peacebuilding activities are implicated in the conflict between farmers and herders in Plateau State, Nigeria, and Central Darfur State, Sudan. The authors show that state officials, traditional chiefs, and security agents intensified the conflict by perpetuating the inequitable distribution of resources needed for the survival of farmers and herders, while promoting a peacebuilding process that empowered some groups and disempowered others. The divisive role state and local actors played accentuated the socio-political grievances underlying the conflict and enervated the peacebuilding process.

This article analyzes a 2018 protest instigated by rural activists in northern Uganda, who chose to contest violent state-driven evictions by peacefully occupying a UN compound in the urban center of Gulu. With their contribution to this ASR forum on rural radicalism, Laing and Weschler argue that in militarized contexts such as Uganda, remote geographies present rural political actors pursuing radical goals with certain advantages but also unique challenges. The case they examine demonstrates the capacity of rural activists to draw on rural-urban ties and a tactic they have dubbed “third-party leverage” to imaginatively circumvent such constraints.

Since at least the colonial era, the Central African Republic (CAR) has been a hotbed of rural rebellion and protest. This article explores the political discourses of members of the Anti-Balaka, a diffuse protest movement and armed rebellion, comparing discourses to see how they vary in relation to demographic categories: urban and rural, elites and peasants. Lombard and Vlavonou find that rural peasants demand a moral economy of interpersonal respect, while elite (usually urban) adherents claim inclusion in a system of official recognition and patronage. Both are concerned with respect, but what is radical about the vision of the peasants is that they can enact it on their own.

Sabina Yuhas (@Overszabi) and Juliana Belova (@juliewanderz or Oyibo Marlian) are Hungarian and Russian women, respectively, who are fascinated by Nigerian popular culture. Despite their successes in exploiting Black culture to attain wealth and fame in the Nigerian mediasphere, their works have hardly been studied. Close readings and nuanced analyses of their selected TikTok skits show a multiplicity of images that are neither fully European nor Nigerian—equivocal identities—mediating Otherness. However, the longstanding power asymmetries between Africa and Europe characterize their enactments as commodification of Blackness, accounting for why Nigerians who perform “Europeanness” do not attain corresponding success.

Around the world, armed conflict is increasingly occurring in capital cities and governments are relying on pro-government, rurally recruited, militia to suppress anti-government political violence. Pendle and Maror draw lessons from South Sudan where recruits from rural areas were brought to Juba to help defend the government. Drawing on ethnographic observations and qualitative interviews with combatants, this article uses “rural radicalism” to argue that patterns of violence by these rurally recruited forces were shaped by histories of rural violence over previous decades and can be read to include a political objective that challenges the inequities in safety and security between rural areas and the capital city.

Post-cessation nationhood in South Sudan presented a paradoxical situation: a country united during struggle is fragmented after independence. Among the triggers for this scenario was the death of Dr John Garang de Mabior—the country’s founding father. This article is a multidisciplinary semiotic critique of Akuol de Mabior’s film, No Simple Way Home (2023), against the history of South Sudanese nationhood. Without claiming a political scientific analysis, the author proposes that South Sudan’s crisis of nationhood is symptomatic of a quest for a unifying icon. He theorizes the protagonist’s quintessence of motherhood as a semiotic gesture of her de jure iconicity of unified nationhood.

Sesay draws from three hinterland protests against multinational corporations in the mining and agricultural sectors to examine how global capital influences central/local politics in postcolonial Sierra Leone. Focusing specifically on the mediating role of traditional rulers—a strong legacy of British colonial indirect rule—Sesay argues that hinterland protests not only enable the relative autonomy of rural citizens to (re)negotiate with the state outside existing political arrangements but also challenge the broker authority of these rulers in center/peripheral relations. While some protests form new alignment of interest with traditional rulers, others allow rural citizens to bypass their chiefs to summon the attention of central authorities. In either of these processes, the local constituents question the position of chiefs in the indirect governance system and shape the governing strategies adopted by the central government to rule over the hinterland.

Scholars have emphasized the importance and autonomy of African intermediaries in European imperial projects. However, intermediaries have not been studied as founders of (proto) colonial administrations. Between 1840 and 1874, the inchoate British establishment on the Gold Coast was largely a project of Anglo-African merchants, rooted in their political visions of “progress.” Merchants like James Bannerman provided infrastructure, institutions, and material form to the administration and intended it as a force for development. Ultimately, the British administration exercised its hegemony through Euro-African infrastructures, spaces, and ideas. Consequently, merchants like Bannerman undermined their local networks, rulers, and dependents who opposed British domination.

Local state officials impact authoritarian systems through the mediation they perform. Desrosiers and Mahé argue that these local functionaries fulfill a number of mediating functions, including translating and representing authoritarian systems at the local level. By enacting these two roles, however, local officials do not straightforwardly reproduce the system. Instead, their interpretations and choices fundamentally influence the imprint authoritarianism has on society, from how the regime is experienced at the local level to its groundings and resilience. They demonstrate this argument by looking at pre-genocide Rwanda and Sudan under President Omar al-Bashir.

Collaborative autoethnography can function as a means of reclaiming certain African realities that have been co-opted by colonial epistemes and language. This can be significant in very concrete ways: northern Uganda is suffering a catastrophic loss of tree cover, much of which is taking place on the collective family landholdings that academia and the development sector have categorized as “customary land.” A collaboration by ten members of such landholding families, known as the Acholi Land Lab, explores what “customary ownership” means to them and their relatives, with a view to understanding what may be involved in promoting sustainable domestic use of natural resources, including trees.

Through ethnography of a performatively Western-inspired coffeehouse in a “traditionally” identifying town of Hargeisa in Somaliland, Serunkuma uses Cup of Art Italian Coffeehouse to debate the political-conceptual dilemma—and potential dangers—of the renewed longing for cultural authenticity and “total revolution” in post-colonial Africa. While acknowledging the failure of the dreams that animated the anti-colonial struggle, manifest in the collapse in public service delivery, governance challenges, and civil war, Serunkuma contends that taking this to be the product of the “legacy of late colonialism,” and thus seeking to protect supposedly “authentic” African traditions and religious practices from Western corruption is itself a poisoned chalice. Using Cup of Art, Serunkuma urges humility toward the permanence of a colonial modernity and constant awareness of the new “problem space,” in which actors exercise their agency.

The empire-building phase of the European powers in Africa, which spanned several centuries, had its climax at the infamous Berlin Conference of 1884–1885, where the colonizers carved up and allocated the African continent among themselves as their respective colonial projects. They would subsequently invade virtually all of the continent based on this arbitrary partitioning—which, among other things, created Africa’s colonial condition. Mention must be made of the fact that uncountable numbers of artworks and artefacts were looted by the invaders from various parts of Africa during those invasions and the de facto occupations that ensued. These looted treasures were scattered all over Europe and elsewhere in museums and private collections, where they currently remain largely unaccounted for.

In 2020, Nigerian youths took to the streets to demand the disbanding of the Special Anti-Robbery Squad (SARS), a unit of the Nigerian Police with a long history of extrajudicial killings, forced disappearances, extortion, torture, and other atrocities. The Nigerian government created the division in 1992 following the killing of an army colonel, under the pretense of fighting a crime wave which was sweeping the country. In the “societies of enmity” (Achille Mbembe, “The Society of Enmity” [Radical Philosophy Vol. 200, No. 1], 23–25) we live in today, the growing militarization of law enforcement in the context of the “war on crime” has put even solid democracies in grave danger and continues to justify authoritarianism and military regimes worldwide. The expansion of state powers through the violent exploitation of its growing “margins,” (V. Das and D. Poole, eds., Anthropology at the Margins of the State [School of American Research Press, 2004]) tarnished with the signs of danger, illegality, and precariousness, has shown that bureaucratic power and state violence walk hand in hand in instituting highly unequal but economically viable social orders in postcolonial Africa and elsewhere. Those movements configure an emergent threat coming from a tactical level of political action and show that contemporary political power can indeed emerge from the tip of a machine gun, proving Walter Benjamin’s critique of Hannah Arendt’s famous image (“Critique of Violence” in Deconstruction, a Reader [Routledge, 2017], 62–70).

The emergence of African philosophy as a systematic field of inquiry can be traced to the trailblazing work of a few figures. Paulin Hountondji occupies a special place among these trailblazers. A true exemplar of the field, Hountondji’s work is neither limited by the linguistically circumscribed mapping of African philosophy nor the dichotomies and quarrels arising from methodological and stylistic difference in doing philosophy. I reiterate the crucial challenge he poses to current and future generations of scholars by reflecting on his approach to philosophy and the critical insights he offers on fundamental questions about the nature, conditions and fate of freedom in Africa.