The apartheid experience in South Africa was a horrendous one for mankind, in which humans unleashed all sorts of evil on one another due to unfounded categorization based on color. This led to a superiority complex where a class saw another as not worth the treatment their dogs received. The fact is that black color was an adaptive one, given the environment of the possessors; the melanin which is the pigmentation that makes the skin black is meant to prevent the skin from cancer emanating from radiations from the sun. It shouldn’t be a thing of social disequilibrium. Following the release of Nelson Mandela from jail in 1990 and the demise of the apartheid system of rule, South Africa became a free country, which provided the ground for South Africans and others to embark on penning books of personal histories of these painful experiences under apartheid.

Music enhances participation in emerging democracies where the rights of association, assemblage, and and the freedom of expression are suppressed by the state apparatus meant to guarantee them in the first place. Ugandan Afropop musician and politician, Robert Kyagulanya (aka Bobi Wine), composed the song “Tugambire ku Jennifer” (Tell Jennifer on Our Behalf), which articulated the social aspirations of Kampala’s street vendors. The song’s meaning does not begin and end with the composer’s intent but stretches to its effects on the listeners. Analyzing meaning through the lens of speech act theory provides an understanding of what music means when it simultaneously reflects and shapes society.

The concept of the organic serves as a keyword capturing emerging practices and epistemologies through which Africans navigate increasingly toxic lifeworlds. Noting a growing preoccupation with this term, the authors unpack its meaning based on their ethnographic fieldwork concerning two East African idioms: kienyeji and kiasili. What it means to be(come) organic is tied to older notions such as life flow, tradition, and the natural. Tracing how this concept engages with central themes in Africanist debates, the authors demonstrate that an Africanist theorizing about it foregrounds critical claims about the vitality of bodies and the viability of environments.

A gathering of African intellectuals in 2016—Ateliers de la Pensée I [Workshops of Thought]—aimed to be a “renewal of French-speaking Afro-diasporic critical thinking; it also served as an impetus for generating new perspectives concerning … Africa’s future” (2). Somewhat ironically, the participants—some of whose essays appear in To Write the Africa World—seem to have widely accepted one key idea as a significant part of their thinking: double consciousness. First clearly articulated more than a century before by W.E.B. Dubois, that awareness reverberates through many of their twenty-one collected articles. Yet only one among them, Hourya Bentouhami, actually mentions “DuBois’s reflections” on the subject, describing them “as a strange and painful cognitive disjunction … in the dialogue of the soul with itself”(125). Another contributor, Benaouda Lebdai, instead credits Sudanese born British writer Jamal Maljoub with integrating “his status of being double” as part of his authorial identity (53). Other writers of essays included in the book merely assume an understanding of the concept as fundamental to their thought and, perhaps more importantly, in conveying a concept of Africa to the wider world.

In the African Studies literature “transformation” emerges as a capacious discursive field and project of state power. In this Keyword article, I move from postindependence questions of transformative social change to violence as a transformative project of the nation-state, examining its imbrication with questions of transition and state aftermaths. I analyze transformation as a promise of worldmaking around horizons of the “post”: postapartheid, postconflict, and postcolonial. I then consider textures of transformative urbanism in changing African cities, and analyze processes implicated in reclaiming forms of discard, positing transformation as recuperation. Transformation is ultimately a multidirectional conceptual field capable of remaking personal worlds and theoretical orientations.