This rich and innovative collection explores the ways in which Black women, from diverse regions of the American South, employed various forms of resistance and survival strategies to navigate one of the most tumultuous periods in American history – the Civil War and Reconstruction era. The essays included shed new light on individual narratives and case studies of women in war and freedom, revealing that Black women recognized they had to make their own freedom, and illustrating how that influenced their postwar political, social, and economic lives. Black women and children are examined as self-liberators, as contributors to the family economy during the war, and as widows who relied on kinship and community solidarity. Expanding and deepening our understanding of the various ways Black women seized wartime opportunities and made powerful claims on citizenship, this volume highlights the complexity of their wartime and postwar experiences, and provides important insight into the contested spaces they occupied.

Karen Cook Bell is Professor of History and the Wilson H. Elkins Endowed Professor at Bowie State University, Maryland. Her book Running from Bondage: Enslaved Women and Their Remarkable Fight for Freedom in Revolutionary America won the Afro-American Historical and Genealogical Society International Book Award in 2022.

Crystal Feimster examines the Black soldiers of the 4th Regiment of the Native Guard (also known as the Corps dAfrique) stationed at Fort Jackson, Louisiana, and the laundresses who served them and their white officers. Both Black soldiers and laundresses were formerly enslaved people who had seized their freedom by joining and aiding the Union cause. Over the course of six weeks, in December 1863 and January 1864, they engaged in open munity to protest racial and sexual violence inflicted by White Union officers. In so doing they made visible the violent terms of interracial interaction that informed the meaning of wartime freedom and Black labor (terms that were still very much rooted in the prisms and discourses of enslavement). More importantly, as free labor, Black women began to negotiate a deeply abusive racial and sexual terrain.

Despite the initial high-profile burst of public protest in 2009, Tea Party activism declined quickly and never returned to its initial level or ferocity. At its peak, the insurgency turned out more than one million supporters at protests staged on April 15, 2010. This chapter utilizes a systematic sampling of 19,758 Tea Party gatherings between 2009 and 2014. We distinguish between protests, meetings, awareness events, and political events, and analyze the rise and rapid decline of the Tea Party’s patterns of local activism. The Tea Party quickly moved away from staging public protests, and instead, focused their efforts on hosting what we call maintenance events, especially monthly or biweekly chapter meetings. We link the swift decline of Tea Party protest to three factors. First, we emphasize the role of activist burnout and activist disillusionment with protest’s effectiveness. Second, we identify an astounding decline in media attention to Tea Party protests after 2009. Last, we highlight the widespread belief held by many Tea Party activists that the Internal Revenue Service had directly targeted local groups.

This chapter wrestles with the contradictory power that popular romance wields in American culture. These novels both uphold heteropatriarchal norms through their fidelity to the marriage plot, but also unsettle romance tropes as a mode of resisting pernicious stereotypes about Black love and dysfunctional families and counter ubiquitous representations of Black pain. Through a close reading of work by writers such as Sister Souljah, Terry McMillan, and Beverly Jenkins, this chapter upends the claim that Black popular romance is unimaginative and does not merit serious critical analysis as well as defies the common belief that Black popular fiction is a political wasteland. As it reimagines Black popular romance as a space of political possibility with immense cultural impact, this chapter deromanticizes the book publishing industry as a site of antiracism by uncovering the numerous hurdles that Black popular romance writers must clear before they publish novels with Black love at the center.

The Tea Party’s local chapter network played an essential role in the insurgency’s momentum, but almost no research has examined these groups beyond accounting for their emergence. This chapter focuses on the external factors related to Tea Party organization building and maintenance. Using web crawlers and newspaper data, we analyzed the trajectory of the 3,587 local Tea Party chapters that had collectively embodied the insurgency, emphasizing when chapters were formed, how long they survived, and when they stopped showing any signs of organized activity. Between 2011 and 2012 – the peak years of the Tea Party’s organized activity – more than 2,000 chapters were active. Beginning in 2012, chapters began to disappear. By the end of 2014, less than 10% of all Tea Party groups showed any signs of activity. The decline of local Tea Party groups is associated with lowering material threats as the economy slowly recovered from the Great Recession. At the same time, status threats help account for the persistence of Tea activism. The election of politicians affiliated with the Tea Party had little impact on local chapter survival.

Felicia Jamison analyzes Black women in the Georgia Low Country during the Civil War who used the personal time afforded them after laboring on rice plantations to acquire property and pass on goods to their children. Using the testimonies of women in the records of the Southern Claims Commission, Jamison demonstrates how Black women secured property before the war, lost their valuable property as Union soldiers traversed the region and commandeered their goods, and petitioned the Commission for restitution to provide for themselves and their families after the war. Using the “politics of acquisition” as a framework, Jamison argues that women in Liberty County, Georgia, used property to enhance their lives and secure their freedom. She demonstrates that the loss of personal goods such as clothing, livestock, and bushels of agricultural products severely hampered Black women and their families transition into freedom.

Social media engagement means losing and finding oneself on a sea of disparate and divergent rhythms, which in this chapter is taken as both material condition and metaphor for the mixture of playful surprise and persistent dread that characterizes the digital dimension of contemporary Black life in the United States. This chapter reads together a collection of technologies, digital and nondigital texts, and memory to explore how contemporary Black social media protest draws on and extends legacies of Black textual play.

Much contemporary antiracist and African Americanist scholarship – especially since the 2008 election of President Barack Obama – has assumed a decidedly cynical orientation toward ideas of “post-racialism.” Scholars, journalists, and activists have rightly detected, in numerous deployments of the term, a kind of bad faith utopianism espoused as a cover for political retreat from progressive, race-conscious policies. This chapter recognizes the merits of such anti-post-racial critiques, but also argues against the summary dismissal of the term. More pointedly, the chapter argues for a rethinking of post-racialism that acknowledges and grapples with a long, ideologically heterogeneous history of African American investments in and ambivalence toward the race concept. The upshot of this rethinking is not a defense of post-racialism as such, but a richer and more dynamic portrait of post-racialism’s historical force, social currency, and inner workings. The chapter takes inspiration from, and proceeds through close readings and intertextual analyses of, Danzy Senna’s 2017 novel, New People.

Hilary Green examines this aspect of freedom by considering Emerson Normal School and institution-building in the postwar era and the important role of education in the lives of formerly enslaved women in Mobile, Alabama. Green posits that Emerson Normal was instrumental in permitting former slaves as well as the children born after the end of slavery to become teachers, administrators, and, most important, leaders within their communities. Emerson Normal represented the expansion and refinement of the educational partnership between Black Mobilians and the American Missionary Association after the creation of state-funded public schools. This partnership played a critical role in creating the corps of teachers required for the new public school system. Outside the classroom, graduates employed their preparation for middle-class leadership by actively participating in racial uplift organizations and campaigns. Never viewing their service as limited to the classroom, Emerson Normal graduates became an essential asset for Black Mobilians and their slow, arduous struggle for African American public education and racial equality in Mobile.

Wide consensus exists that the Tea Party influenced the Republican Party. Exactly what those effects were, and how they were achieved is less clear. This chapter examines how the Tea Party disrupted the US political process between 2010 and 2018. Using granular spatiotemporal information on Tea Party activism, we analyze the insurgency’s impact on the Republican primaries for the 2010 election, the 2010 general election, and the aftermath. Our results show that the number of Tea Party protests in a congressional district predicted the number of subsequent primary challengers, and that the number of local Tea Party groups in a district predicted who won. We further examine the emergence in 2010 of the Tea Party Caucus in the House of Representatives, which institutionalized the insurgency’s influence in Congress. Of the 71 politicians who joined the Caucus, just 23 remained in the House by 2018. Despite the declining influence of the Tea Party on the streets and in government, its activism appears to have increased radicalization within the Republican Party. We conclude that the Tea Party served as a congressional watchdog, successfully keeping Republicans acting in line with its goals.

This chapter grows out of the strain of queer theory that revolves around questions of time. Many thinkers make sense of queer subjects by exploring their complex relationships to the past, present, and future as well as what time signifies in this context. Taking seriously the critical linkage between queerness and temporality, I consider how queer bodies make us aware of time – whether through temporal refusal, embrace, or displacement. I argue that contemporary novelists Mia McKenzie and Robert Jones, Jr., use queer characters to reorient narrative understandings of time and present new possible relationships to time. McKenzie’s The Summer We Got Free (2013) and Jones’s The Prophets (2021) both attend to the past to write Black queer life, and, in doing so, these authors provide meditations on time and the writing of history. Beginning with a consideration of the larger historical context of Black queer writing from the end of the twentieth century, the chapter highlights the narrative questioning of the temporal placement and meaning of the Black queer body and draws a connection between the narrative construction and conceptions of temporality that disrupt prevalent ways of thinking about time. In these texts, time emerges as a queer formation.

Understanding contemporary African American literature, this chapter argues, requires accounting for the rich, multifaceted dialogue between Black literary production and the visual arts. This chapter traces what Toni Morrison called the “alliances and alignments” between literature and the other arts by analyzing the aesthetics and themes of contemporary African American writing and examining the cross-arts influences that shaped it. The dialogue between African American literature and visual culture is part of a much longer tradition, and contemporary writers have built on many earlier precedents. But this chapter also unpacks how important historical changes, including developments in media technology and the rise of Black art institutions, have generated new and more numerous intersections between Black literary and artistic cultures since the 1970s. Focusing on three key spaces that provided material support and thematic inspiration for Black writers’ experiments with visual art – the home, museum, and university – this chapter examines how authors working in a range of literary genres, including novels, poetry, plays, screenplays, memoirs, and essays, engaged with a variety of visual arts, including painting, film, sculpture, and photography. The influences and aesthetics of visual culture, the chapter shows, powerfully infuse the work of many writers today.