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This text explores how the legal history and judicial decisions of the United States contribute to the dynamic societal debates Americans are having around race today. It pairs historical cases and primary sources with contextual commentary, to ensure students comprehend how decisions from the past deeply impact the laws they have inherited as well as shaping contemporary issues and political movements. This framework also highlights the distinctive characteristics of the various time periods, and how they connect to other eras, so students fully appreciate the events and environments that influenced each case. Written in an accessible and engaging style, it avoids the traditional focus of many caselaw books and instead promotes a sound understanding of the legal concepts and dynamics that inform current discussions of racial identities, challenging the usual development of doctrinal law and court decisions defining race. An Instructor Manual is available online, with additional teaching resources and assessment materials for each chapter, to foster meaningful class discussions about future choices and how to pursue a more equal nation.
This volume provides an illuminating exploration of how ideas about whiteness have shaped the literature and culture of the United States. Covering nearly 250 years – from the 1790 Naturalization Act, which limited access to citizenship to immigrants who were 'free white person[s],' to the present – Whiteness and American Literature considers how a broad spectrum of novels, movies, short stories, television shows, poems, songs, and other works depict whiteness. The collection's twenty accessible and engaging chapters by renowned scholars analyze representations of whiteness in a variety of historical periods, literary genres, and aesthetic forms. Chapters also survey scholarly work at the crossroads of whiteness studies and disability studies, food studies, and other academic disciplines. Designed for scholars, students, and general readers, this book is essential reading for anyone interested in gaining a deeper understanding of the role whiteness plays in the US imagination.
This book chronicles important formal and theoretical innovations in Latinx literature during a period when Latinx writers received increasing acclaim while their communities became targets of rising hostility. The essays in this collection show how Latinx writers confront this contradiction by cultivating an understanding of Latinx experience in its transnational dimensions, by recovering histories that were suppressed or erased, by engaging in burgeoning decolonial projects that resist Western epistemologies, and by forming coalitions and solidarities within Latinx groups as well as with other minoritized racial and ethnic communities to challenge state violence and US imperial projects. The book highlights the increasingly important role of genre, form, and media in the contemporary Latinx literature and provides an account of how the shifting demographics and new migrations of Latinx people have not only resulted in new narratives and art but also altered and expanded how we imagine the category 'Latinx.'
August Wilson is one of the twentieth century's most important and acclaimed playwrights. This volume demonstrates Wilson's significance to contemporary theatre, culture, and politics by providing fresh and compelling insights into his life, practices, and contributions as an artist and public intellectual. Across four thematically organized sections, contributors situate Wilson's work in his social, cultural and political contexts, examine ongoing developments in Wilson studies, explore the production contexts of his plays, and explicate his dramaturgical sensibilities and strategies. This is the authoritative guide to Wilson's career and artistic legacy for students, theatre practitioners, and general readers interested in this remarkable figure.
Carolinian Crucible tells the story of South Carolina – particularly its upcountry region – at war. A state notorious for its political radicalism before the Civil War, this book avoids caricaturing the Palmetto State's inhabitants as unflinching Confederate zealots, and instead provides a more fine-grained appraisal of their relationship with the new nation that their state's political elite played a leading role in birthing. It does so by considering the outlook and actions of both civilians and soldiers, with special attention given to those who were lower-class 'common whites.' In this richly detailed account, Patrick J. Doyle reveals how a region that was insulated from Federal invasion was not insulated from the disruptions of war; how social class profoundly shaped the worldview of ordinary folk, yet did not lead to a rejection of the slaveholders' republic; and how people in the Civil War South forged meaningful bonds with the Confederate nation, but buckled at times under the demands of diehard nationalism.
In 1998, Bill Clinton hosted a town hall on race and sports. 'If you've got a special gift,' the president said of athletes, 'you owe more back.' Gift and Grit shows how the sports industry has incubated racial ideas about advantage and social debt by sorting athletes into two broad categories. The gifted athlete received something for nothing, we're told, and owes the team, the fan, the city, God, nation. The gritty athlete received nothing and owes no one. The distinction between gift and grit is racial, but also, Joseph Darda reveals, racializing: it has structured new racial categories and redrawn racial lines. Sports, built on an image of fairness, inform how we talk about advantage and deservedness in other domains, including immigration, crime, education, and labor. Gift and Grit tells the stories of Roger Bannister, Roberto Clemente, Martina Navratilova, Florence Griffith Joyner, and LeBron James – and the story their stories tell about the shifting meaning of race in America.
This book introduces scholars and students of literature to previously neglected or unknown works of literature-such as José Rodríguez Cerna's chronicles and Leonor Villegas de Magnón's memoir of the Mexican Revolution-as well as new approaches to canonical texts by Maria Amparo Ruiz de Burton, Julia de Burgos, Tomás Rivera, and Gloria Anzaldúa. It challenges how previous generations of scholars have understood American modernity by rejecting a standard, historical organization and instead unfolding in clusters of essays related to key terms-space, being, time, form, and labor-corresponding to the overlapping legacies of Spanish and US colonialism and expansion that frame Latinx experience. This volume showcases the diversity of US Latinx communities and cultures, including work on Mexican/Chicanx, Central American, and Caribbean figures and highlighting the evolution of scholarship on Afro-Latinx creative expression and Latinx representations of indigeneity.
In We Choose You, Julian J. Wamble investigates the sophisticated process of Black voter candidate selection. Contrary to the common assumption that Black voters will support Black politicians, Wamble explores what considerations, outside of race, partisanship, and gender, Black voters use to choose certain representatives over others. The book complicates our view of candidate selection, expands our understanding of identity's role in the representative-constituent paradigm, and provides a framework through which scholars can determine a candidates preferability for other identity groups. Wamble uses original experimental tests on Black respondents to prove that Black voters prefer a politician, regardless of race, who shows a commitment to prioritizing the racial group's interest through personal sacrifice. Novel and timely, this book makes an important contribution to our understanding of Black political behavior and will only gain salience as the significance of the Black vote increases in upcoming elections.
The Cambridge Companion to Nineteenth-Century American Literature and Politics addresses the political contexts in which nineteenth-century American literature was conceived, consumed, and criticized. Individual chapters examine how US literature from this period engaged with broad political concepts and urgent political issues, such as liberalism, conservatism, radicalism, nationalism, communitarianism, sovereignty, religious liberty, partisanship and factionalism, slavery, segregation, immigration, territorial disputes, voting rights, gendered spheres, and urban/rural tensions. Chapters on literary genres and forms show how poetry, drama, fiction, oratory, and nonfiction participated in political debate. The volume's introduction situates these chapters in relation to two larger disciplines, the history of political thought and literary history. This Companion provides a valuable resource for students and instructors interested in Nineteenth-Century American literature and politics.
The influence of partisan news is presumed to be powerful, but evidence for its effects on political elites is limited, often based more on anecdotes than science. Using a rigorous quasi-experimental research design, observational data, and open science practices, this book carefully demonstrates how the re-emergence and rise of partisan cable news in the US affected the behavior of political elites during the rise and proliferation of Fox News across media markets between 1996 and 2010. Despite widespread concerns over the ills of partisan news, evidence provides a nuanced, albeit cautionary tale. On one hand, findings suggest that the rise of Fox indeed changed elite political behavior in recent decades. At the same time, the limited conditions under which Fox News' influence occurred suggests that concerns about the network's power may be overstated.
The Senate majority and minority leaders stand at the pinnacle of American national government – as important to Congress as the speaker of the House. However, the invention of Senate floor leadership has, until now, been entirely unknown. Providing a sweeping account of the emergence of party organization and leadership in the US Senate, Steering the Senate is the first-ever study to examine the development of the Senate's main governing institutions. It argues that three forces – party competition, intraparty factionalism, and entrepreneurship – have driven innovation in the Senate. The book details how the position of floor leader was invented in 1890 and then strengthened through the twentieth and twenty-first centuries. Drawing on the full history of the Senate, this book immediately becomes the authoritative source for understanding the institutional development of the Senate – uncovering the origins of the Senate party caucuses, steering committees, and floor leadership.
Thousands of civil society organizations (CSOs) attend the Conferences of the Parties (COPs) of the United Nations Framework Convention on Climate Change (UNFCCC) every year. Through their advocacy work, CSOs define and redefine what “climate change” is really about. The Element focuses on climate advocacy for women and Indigenous peoples (IPs), two prominent climate justice frames at the UNFCCC. Which CSOs advocate for women and IPs? How and why do CSOs adopt gender and Indigenous framing? Bridging the literature on framing strategy and organizational ecology, it presents two mechanisms by which CSOs adopt climate justice frames: self-representation and surrogate-representation. The Element demonstrates that, while gender advocacy is developed primarily by women's CSOs, IPs advocacy is developed by a variety of CSOs beyond IPs organizations. It suggests that these different patterns of frame development may have long-term consequences for how we think about climate change in relation to gender and IPs.
The Great Gatsby is often called the great American novel. Emblematic of an entire era, F. Scott Fitzgerald's classic tale of illicit desire, grand illusions, and lost dreams is rendered in a lyrical prose that revives a vanished world of glittering parties and vibrant jazz, where money and deceit walk hand in hand. Rich in humor, sharply observant of status and class, the book tells the story of Jay Gatsby's efforts to keep his faith – in money, in love, in all the promises of America – amid the chaos and conflict of life on Long Island's Gold Coast during the Roaring Twenties. This centennial edition presents the established version of the text in a collector's volume replete with social, cultural, and historical context, and numerous illustrations. The authoritative introduction examines persistent myths about Fitzgerald, his greatest work, and the age he embodies, while offering fresh ways of reading this iconic work.