Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “LECTURES ON ARCHITECTURE AND PAINTING” (1854)
- PART II REVIEWS, LETTERS, AND PAMPHLETS ON ART (1844–1854)
- 1 REVIEW OF LORD LINDSAY'S “HISTORY OF CHRISTIAN ART” (1847)
- 2 REVIEW OF EASTLAKE'S “HISTORY OF OIL-PAINTING” (1848):–
- 3 SAMUEL PROUT (1849)
- 4 LETTERS ON THE PRE-RAPHAELITE ARTISTS (1851, 1854)
- 5 PRE-RAPHAELITISM (PAMPHLET, 1851)
- 6 LETTERS ON THE NATIONAL GALLERY (1847, 1852)
- 7 THE OPENING OF THE CRYSTAL PALACE, CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART (PAMPHLET, 1854)
- APPENDIX TO PART II
- PART III “NOTES ON THE CONSTRUCTION OF SHEEPFOLDS” (1851)
- APPENDIX TO PART III
- PART IV LETTERS ON POLITICS (1852)
- Plate section
7 - THE OPENING OF THE CRYSTAL PALACE, CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART (PAMPHLET, 1854)
Published online by Cambridge University Press: 05 November 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “LECTURES ON ARCHITECTURE AND PAINTING” (1854)
- PART II REVIEWS, LETTERS, AND PAMPHLETS ON ART (1844–1854)
- 1 REVIEW OF LORD LINDSAY'S “HISTORY OF CHRISTIAN ART” (1847)
- 2 REVIEW OF EASTLAKE'S “HISTORY OF OIL-PAINTING” (1848):–
- 3 SAMUEL PROUT (1849)
- 4 LETTERS ON THE PRE-RAPHAELITE ARTISTS (1851, 1854)
- 5 PRE-RAPHAELITISM (PAMPHLET, 1851)
- 6 LETTERS ON THE NATIONAL GALLERY (1847, 1852)
- 7 THE OPENING OF THE CRYSTAL PALACE, CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART (PAMPHLET, 1854)
- APPENDIX TO PART II
- PART III “NOTES ON THE CONSTRUCTION OF SHEEPFOLDS” (1851)
- APPENDIX TO PART III
- PART IV LETTERS ON POLITICS (1852)
- Plate section
Summary
THE OPENING OF THE CRYSTAL PALACE
CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART
1. I read the account in the Times newspaper of the opening of the Crystal Palace at Sydenham as I ascended the hill between Yevay and Chatel St. Denis, and the thoughts which it called up haunted me all day long, as my road wound. among the grassy slopes of the Simmenthal. There was a strange contrast between the image of that mighty palace, raised so high above the hills on which it is built as to make them seem little less than a basement for its glittering stateliness, and those low larch huts, half hidden beneath their coverts of forest, and scattered like grey stones along the masses of far-away mountain. Here, man contending with the powers of Nature for his existence; there commanding them for his recreation: here, a feeble folk nested among the rocks with the wild goat and the coney, and retaining the same quiet thoughts from generation to generation; there, a great multitude triumphing in the splendour of immeasurable habitation, and haughty with hope of endless progress and irresistible power.
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- The Works of John Ruskin , pp. 415 - 432Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903
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