Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS
- AUTHOR'S PREFACE TO THE RE-ARRANGED EDITION (1883)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART III OF IDEAS OF BEAUTY
- SECTION I OF THE THEORETIC FACULTY
- SECTION II OF THE IMAGINATIVE FACULTY
- INTRODUCTORY NOTE (1883)
- CHAPTER I OF THE THREE FORMS OF IMAGINATION
- CHAPTER II OF IMAGINATION ASSOCIATIVE
- CHAPTER III OF IMAGINATION PENETRATIVE
- CHAPTER IV OF IMAGINATION CONTEMPLATIVE
- CHAPTER V OF THE SUPERHUMAN IDEAL
- ADDENDA (1848)
- AUTHOR'S EPILOGUE TO THE RE-ARRANGED EDITION (1883)
- APPENDIX
- Plate section
CHAPTER I - OF THE THREE FORMS OF IMAGINATION
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- BIBLIOGRAPHICAL NOTE
- MODERN PAINTERS
- AUTHOR'S PREFACE TO THE RE-ARRANGED EDITION (1883)
- AUTHOR'S SYNOPSIS OF CONTENTS
- PART III OF IDEAS OF BEAUTY
- SECTION I OF THE THEORETIC FACULTY
- SECTION II OF THE IMAGINATIVE FACULTY
- INTRODUCTORY NOTE (1883)
- CHAPTER I OF THE THREE FORMS OF IMAGINATION
- CHAPTER II OF IMAGINATION ASSOCIATIVE
- CHAPTER III OF IMAGINATION PENETRATIVE
- CHAPTER IV OF IMAGINATION CONTEMPLATIVE
- CHAPTER V OF THE SUPERHUMAN IDEAL
- ADDENDA (1848)
- AUTHOR'S EPILOGUE TO THE RE-ARRANGED EDITION (1883)
- APPENDIX
- Plate section
Summary
A partial examination only of the Imagination is to be attempted
We have hitherto been exclusively occupied with those sources of pleasure which exist in the external creation, and which in any faithful copy of it must to a certain extent exist also.
These sources of beauty, however, are not presented by any very great work of art in a form of pure transcript. They invariably receive the reflection of the mind under whose influence they have passed, and are modified or coloured by its image.
This modification is the Work of Imagination.
As, in the course of our succeeding investigation, we shall be called upon constantly to compare sources of beauty existing in nature with the images of them received by the human mind, it is very necessary for us shortly to review the conditions and limits of the Imaginative faculty, and to ascertain by what tests we may distinguish its sane, healthy, and profitable operation, from that which is erratic, diseased, and dangerous.
It is neither desirable nor possible here to examine or illustrate in full the essence of this mighty faculty.
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- The Works of John Ruskin , pp. 223 - 228Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903