CHAP. VI - THE NATURE OF GOTHIC

Summary

§ 1. If the reader will look back to the division of our subject which was made in the first chapter of the first volume, he will find that we are now about to enter upon the examination of that school of Venetian architecture which forms an intermediate step between the Byzantine and Gothic forms; but which I find may be conveniently considered in its connexion with the latter style. In order that we may discern the tendency of each step of this change, it will be wise in the outset to endeavour to form some general idea of its final result. We know already what the Byzantine architecture is from which the transition was made, but we ought to know something of the Gothic architecture into which it led. I shall endeavour therefore to give the reader in this chapter an idea, at once broad and definite, of the true nature of Gothic architecture, properly so called; not of that of Venice only, but of universal Gothic: for it will be one of the most interesting parts of our subsequent inquiry to find out how far Venetian architecture reached the universal or perfect type of Gothic, and how far it either fell short of it, or assumed foreign and independent forms.