Book contents
- War and American Literature
- Cambridge Themes in American Literature and Culture
- War and American Literature
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Aspects of War in American Literature
- Part II Cultural Moments and the American Literary Imagination
- Chapter 8 Liberty, Freedom, Independence, and War
- Chapter 9 Indians, Defeat, Persistence, and Resistance
- Chapter 10 Civil War Literature and Memory
- Chapter 11 African American Literature, Citizenship, and War, 1863–1932
- Chapter 12 World War I and Cultural Change in America
- Chapter 13 On the Home Fronts of Two World Wars
- Chapter 14 Patriotism, Nationalism, Globalism
- Chapter 15 The “Good War” Script
- Chapter 16 The Vietnam War and Its Legacy
- Chapter 17 The Forever Wars
- Part III New Lines of Inquiry
- Further Reading
- Index
Chapter 17 - The Forever Wars
from Part II - Cultural Moments and the American Literary Imagination
Published online by Cambridge University Press: 20 January 2021
- War and American Literature
- Cambridge Themes in American Literature and Culture
- War and American Literature
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Aspects of War in American Literature
- Part II Cultural Moments and the American Literary Imagination
- Chapter 8 Liberty, Freedom, Independence, and War
- Chapter 9 Indians, Defeat, Persistence, and Resistance
- Chapter 10 Civil War Literature and Memory
- Chapter 11 African American Literature, Citizenship, and War, 1863–1932
- Chapter 12 World War I and Cultural Change in America
- Chapter 13 On the Home Fronts of Two World Wars
- Chapter 14 Patriotism, Nationalism, Globalism
- Chapter 15 The “Good War” Script
- Chapter 16 The Vietnam War and Its Legacy
- Chapter 17 The Forever Wars
- Part III New Lines of Inquiry
- Further Reading
- Index
Summary
Contemporary war seems to be both perpetual and everywhere – not enclosed by neat pair of finite dates nor limited to a particular field of battle. Yet despite that ubiquity, war stories remain largely on the margins. The Hurt Locker, for instance, won the Academy Award for Best Picture (and five other Oscars to boot), but remains the lowest-grossing film ever to do so. This essay addresses the field of twenty-first-century representations of war, including work by Kevin Powers, Kayla Williams, Brian Castner, Siobhan Fallon, Brian Turner, and others, noting common themes such as the nature of an all-volunteer military, the widening gap between military and civilian cultures, the expanding presence of women, and changing experiences with technology and the nature of trauma. The essay also addresses the war stories that are immensely popular with the public – the ever-expanding cinematic universes of superheroes that are built on never-ending conflict and combat. These, too, are forever wars.
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- War and American Literature , pp. 254 - 268Publisher: Cambridge University PressPrint publication year: 2021