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Part I - Susan Glaspell’s Early Writing and Her Midwestern Contexts

Published online by Cambridge University Press:  13 July 2023

Edited by
J. Ellen Gainor
J. Ellen Gainor
Affiliation:
Cornell University, New York
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Susan Glaspell in Context , pp. 1 - 82
Publisher: Cambridge University Press
Print publication year: 2023

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References

Suggestions for Further Reading

Ben-Zvi, Linda. Susan Glaspell: Her Life and Times. New York: Oxford University Press, 2005.Google Scholar
Hernando-Real, Noelia. Self and Space in the Theater of Susan Glaspell. Jefferson, NC: McFarland, 2011.Google Scholar
Hinz-Bode, Kristina. Susan Glaspell and the Anxiety of Expression. Jefferson, NC: McFarland, 2006.Google Scholar
Jouve, Emeline. Susan Glaspell’s Poetics and Politics of Rebellion. Iowa City: University of Iowa Press, 2017.Google Scholar
Kenton, Edna. The Provincetown Players and the Playwrights’ Theatre, 1915–1922. Eds. Bogard, Travis and Bryer, Jackson R.. Jefferson, NC: McFarland, 2004.Google Scholar
Noe, Marcia. Susan Glaspell: Voice from the Heartland. Macomb: Western Illinois Press, 1983.Google Scholar
Ozieblo, Barbara. Susan Glaspell: A Critical Biography. Chapel Hill: University of North Carolina Press, 2000.Google Scholar
Ozieblo, Barbara, and Dickey, Jerry. Susan Glaspell and Sophie Treadwell. New York: Routledge, 2008.CrossRefGoogle Scholar

Suggestions for Further Reading

Noe, Marcia. “Susan Glaspell’s Analysis of the Midwestern Character.” Books at Iowa 27 (Nov. 1977): pp. 3–14.CrossRefGoogle Scholar
Noe, Marcia. “‘A Romantic and Miraculous City’ Shapes Three Midwestern Writers.” Western Illinois Regional Studies 1.2 (Fall 1978): pp. 176–198.Google Scholar
Noe, Marcia. “Region as Metaphor in the Plays of Susan Glaspell.” Western Illinois Regional Studies 4.1 (Spring 1981): pp. 77–85.Google Scholar
Noe, Marcia. Susan Glaspell: Voice from the Heartland. Western Illinois Monograph Series, No. 1. Macomb: Western Illinois University, 1983.Google Scholar
Noe, Marcia. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre. Bloomington, IN: Indiana University Press, 2022.Google Scholar
Noe, Marcia, and O’Dea, Meghan. “From Davenport to Provincetown: Floyd Dell, George Cram Cook, and Susan Glaspell Develop a Radical Theatre Aesthetic.” In A Scattering Time: How Modernism Met Midwestern Culture, ed. Kosiba, Sara. Hastings, NE: Hastings College Press, 2018, pp. 49–69.Google Scholar

Suggestions for Further Reading

Burt, Elizabeth V., ed. Women’s Press Organizations, 1881–1999. Westport, CT: Greenwood, 2000.Google Scholar
Dickinson, Susan E. “Woman in Journalism.” Woman’s Work in America Ed. Annie Nathan Meyer. New York: Henry Holt and Company, 1891, pp. 128–38.Google Scholar
Mills, Kay. A Place in the News: From the Women’s Pages to the Front Pages. New York: Dodd Mead, 1988.Google Scholar

Suggestions for Further Reading

Duvall, John, “Regionalism in American Modernism.” The Cambridge Companion to American Modernism. Ed. Kalaidjian, Walter. Cambridge: Cambridge University Press, 2005, pp. 242–60.Google Scholar
Hegeman, Susan. Patterns for America: Modernism and the Concept of Culture. Princeton: Princeton University Press, 1999.Google Scholar
Hsu, Hsuan L. “Literature and Regional Production.” American Literary History 17.1 (2005), pp. 36–69.Google Scholar
McCullough, Kate. Regions of Identity: The Construction of America in Women’s Fiction, 1885–1914. Stanford: Stanford University Press, 1999.Google Scholar
March-Russell, Paul. The Short Story: An Introduction. Edinburgh: Edinburgh University Press, 2009.Google Scholar

Suggestions for Further Reading

Clayton, Douglas. Floyd Dell: The Life and Times of an American Rebel. Chicago: Ivan R. Dee, 1994.Google Scholar
Lorenz, Paul and Roessel, David, eds. Americans and the Experience of Delphi. Boston: Somerset Hall Press, 2013.Google Scholar
Sarlós, Robert Károly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: U of Massachusetts P, 1982.Google Scholar

Suggestion for Further Reading

Geigner, Megan, Hecht, Stuart J. and Mahmoud, Jasmine H.. Makeshift Chicago Theatre: A Century of Theatre and Performance. Evanston: Northwestern University Press, 2021.Google Scholar

Suggestions for Further Reading

Angel, Marina. “Susan Glaspell’s Trifles and A Jury of Her Peers: Woman Abuse in a Literary and Legal Context.” Buffalo Law Review 45.3 (1997), pp. 779–844.Google Scholar
Denno, Deborah W. “Gender, Crime, and the Criminal Defenses.” Journal of Criminal Law and Criminology 85.1 (1994), pp. 80–180.Google Scholar
Jones, Ann. Women Who Kill. New York: Random House, 1981.Google Scholar
Temple, Judy Nolte. A Secret to Be Burried: The Diary and Life of Emily Hawley Gillespie, 1858–1888. Iowa City: University of Iowa Press, 1989.Google Scholar

Suggestions for Further Reading

Mathews, Jane DeHart. Federal Theatre, 1935–1939: Plays, Relief, and Politics. Princeton, NJ: Princeton University Press, 2015. www.degruyter.com/document/doi/10.1515/9781400872176/html.CrossRefGoogle Scholar
Saal, Ilka. New Deal Theater: The Vernacular Tradition in American Political Theater. New York: Palgrave Macmillan, 2007.Google Scholar
Schwartz, Bonnie Nelson, and Educational Film Center, editors. Voices from the Federal Theatre. Madison: University of Wisconsin Press, 2003.Google Scholar

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