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Part II - The Bohemian Context: Greenwich Village, Provincetown, and the Rise of American Modernism

Published online by Cambridge University Press:  13 July 2023

Edited by
J. Ellen Gainor
J. Ellen Gainor
Affiliation:
Cornell University, New York
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Susan Glaspell in Context , pp. 83 - 132
Publisher: Cambridge University Press
Print publication year: 2023

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References

Suggestions for Further Reading

Aaron, Daniel. Writers on the Left: Episodes in American Literary Communism. 1961. New York: Columbia University Press, 1992.Google Scholar
O’Neill, William L. Echoes of Revolt: The Masses 1911–1917. 1966. Chicago: Elephant, 1989.Google Scholar
Wetzsteon, Ross. Republic of Dreams. Greenwich Village: The American Bohemia, 1910–1960. New York: Simon and Schuster, 2002.Google Scholar

Suggestions for Further Reading

Black, Cheryl. The Women of Provincetown, 1915–1922. Tuscaloosa: University of Alabama Press, 2002.Google Scholar
Gainor, J. Ellen. “The Provincetown Players’ Experiments with Realism.” Realism and the American Dramatic Tradition. Ed. William Demastes. Tuscaloosa: University of Alabama Press, 1996. pp. 53–70.Google Scholar
Murphy, Brenda. The Provincetown Players and the Culture of Modernity. Cambridge: Cambridge University Press, 2005.Google Scholar
Sarlós, Robert Karoly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: University of Massachusetts Press, 1982.Google Scholar

Suggestions for Further Reading

Ben-Zvi, Linda. “Susan Glaspell and Eugene O’Neill: The Imagery of Gender,” Eugene O’Neill Newsletter 10.1 (1986): pp. 22–27.Google Scholar
Ben-Zvi, Linda. “Susan Glaspell and Eugene O’Neill,” Eugene O’Neill Newsletter 6.2 (Summer/Fall 1982): pp. 21–29.Google Scholar
Kennedy, Jeffery. Staging America: The Artistic Legacy of the Provincetown Players (Tuscaloosa, AL: U of Alabama Press, 2023).Google Scholar
Murphy, Brenda. The Provincetown Players and the Culture of Modernity (New York: Cambridge U Press, 2006).Google Scholar

Suggestion for Further Reading

Kinne, Wisner Payne. George Pierce Baker and the American Theatre. Cambridge: Harvard University Press, 1954.CrossRefGoogle Scholar

Suggestions for Further Reading

Ben-Zvi, Linda. “Silent Partners: The ‘Trifling’ Nature of Language in the Theater of Susan Glaspell and Samuel Beckett.” On Susan Glaspell’s Trifles and “A Jury of her Peers.” Eds. Carpentier, Martha C. and Jouve, Emeline. Jefferson, NC: McFarland & Company, Inc., Pub., 2015, pp. 45–61.Google Scholar
Ben-Zvi, Linda. “‘Murder She Wrote’: The Genesis of Susan Glaspell’s Trifles.” Theatre Journal, Volume 44, Number 2 (May 1992), pp. 141–162.CrossRefGoogle Scholar
Ben-Zvi, Linda. “‘A Different Kind of the Same Thing’: The Early One-Act Plays of Susan Glaspell and J. M. Synge.” Eugene O’Neill Review, Volume 39, Number 1, (2018), pp. 33–47.CrossRefGoogle Scholar
Biers, Katherine. “Stages of Thought: Emerson, Maeterlinck, Glaspell,” Modern Drama, Volume 56, Number 4, (Winter 2013), pp. 457–477.CrossRefGoogle Scholar

Suggestions for Further Reading

Carpentier, Martha C. The Major Novels of Susan Glaspell. University Press of Florida, 2001.Google Scholar
Entries on individual novels in The Literary Encyclopedia online. See www.litencyc.com/; search “Susan Keating Glaspell”Google Scholar

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