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Music in Context

Published online by Cambridge University Press:  30 March 2023

Stephen Rodgers
Stephen Rodgers
Affiliation:
University of Oregon
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The Songs of Clara Schumann , pp. ii
Publisher: Cambridge University Press
Print publication year: 2023

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References

Books in the Series

Keefe, Simon P., Mozart’s Requiem: Reception, Work, CompletionCrossRefGoogle Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction, and William WaltonCrossRefGoogle Scholar
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Hallmark, Rufus, ‘Frauenliebe und Leben’: Chamisso’s Poems and Schumann’s SongsGoogle Scholar
Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval MotetGoogle Scholar
Deeming, Helen and Leach, Elizabeth Eva, Manuscripts and Medieval Song: Inscription, Performance, ContextCrossRefGoogle Scholar
Kilpatrick, Emily, The Operas of Maurice RavelGoogle Scholar
Chadwick, Roderick and Hill, Peter, Olivier Messiaen’s Catalogue d’oiseaux: From Conception to PerformanceGoogle Scholar
Bradley, Catherine A., Polyphony in Medieval Paris: The Art of Composing with PlainchantCrossRefGoogle Scholar
Grimley, Daniel M., Delius and the Sound of PlaceGoogle Scholar
Rees, Owen, The Requiem of Tomás Luis de Victoria (1603)CrossRefGoogle Scholar
Grimes, Nicole, Brahms’s Elegies: The Poetics of Loss in Nineteenth-Century German CultureCrossRefGoogle Scholar
Hatter, Jane D., Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and PracticeCrossRefGoogle Scholar
Elphick, Daniel, Music behind the Iron Curtain: Weinberg and His Polish ContemporariesCrossRefGoogle Scholar
MacGregor, Emily, Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933CrossRefGoogle Scholar
Hyland, Anne M., Schubert’s String Quartets: The Teleology of Lyric FormCrossRefGoogle Scholar
Rodgers, Stephen, The Songs of Clara SchumannCrossRefGoogle Scholar

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