Book contents
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Chapter 3 - The Tonson Era 1
Rowe to Warburton
from Part I - Text
Published online by Cambridge University Press: 23 April 2021
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Summary
Notes that, by the beginning of the eighteenth century, the bulk of the rights to Shakespeare had been consolidated into the hands of the Tonson publishing firm. The Tonsons – oftentimes in concert with a cartel of other London publishers – served as the primary publishers of Shakespeare for the greater part of the eighteenth century. The chapter registers a number of innovations introduced by the Tonson group: the recruitment of well-known writers to serve as editors and the prominent advertising of this fact on edition title pages; the publication of the first illustrated edition of Shakespeare; experimentation with different multivolume formats, breaking with the tradition of single-volume folio publication. The textual strategies of the different editors employed by the Tonsons are explored, with the 'aesthetic' approach of an editor such as Alexander Pope being contrasted with the more scholarly approach of Lewis Theobald. The appearance of the first extended sketch of Shakespeare's life in Nicholas Rowe's edition is also noted.
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- Shakespeare in PrintA History and Chronology of Shakespeare Publishing, pp. 83 - 109Publisher: Cambridge University PressPrint publication year: 2021