Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-18T13:18:25.915Z Has data issue: false hasContentIssue false

II - A Forgotten Tune for the Flute

Published online by Cambridge University Press:  04 August 2010

Get access

Summary

A middle-aged Moscow bureaucrat, Filimonov is stagnating in his job and marriage as perestroika becomes a reality. While he continues to practice dishonesty in his career, he begins to reawaken as the artist he once promised to be when he has an affair with a nurse. Thrown out of his home by his wife when she discovers his infidelity, he takes up an uneasy residence at the nurse's communal apartment and then, briefly, on the street after she rejects him. When all seems lost, Filimonov's wife takes him back and he gets promoted. But when he sees his former lover on the street, he drops dead of a heart attack, only to be revived by her. Will they live happily ever after?

A Forgotten Tune for the Flute [Zabytaya melodiya dlyafleity). Directed by Eldar Ryazanov; screenplay by Emil Braginsky and Ryazanov; cinematography by Vadim Alisov; production design by Alexander Borisov; music by Andrei Petrov. Cast: Leonid Filatov, Tatyana Dogileva, Irina Kupchenko, Vsevolod Sanayev, Olga Volkova, Valentin Gaft, and Alexander Shirvindt. Color, 95 min. Mosfilm Studios production, 1987.

3. “Spare some for a former bureaucrat,” reads the sign worn by Filimonov (Leonid Filatov), whose career-seeking, self-serving life-style has led him to forget many tunes in Eldar Ryazanov's A Forgotten Tune for the Flute(1987), glasnost's first satirical melodrama. (Photo: Kinocenter and Sovexportfilm.)

What's our life? A musical piece?

A sonata or a fugue or a mass,

a suite, a nocturne or a scherzo?

–Eldar Ryazanov

Director Vladimir Menshov once complained that, until recently, our cinema served tastes of “either the official apparatus or the snobbish elite.”

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×