Book contents
- The Royal College of Music and Its Contexts
- Music Since 1900
- The Royal College of Music and Its Contexts
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Acknowledgements
- Notes on the Text
- Abbreviations
- Introduction
- Part I Building and Consolidating (1883–1914)
- Part II Renewal and Conventionality (1919–1960)
- Part III Changing Musical Cultures (1960–1984)
- Part IV Into Its Second Century, 1984–2018
- 9 A Changed State of Rivalry
- 10 The New Realities of Accounting and Assuring
- 11 Reimagining for the Future
- Epilogue
- Works Cited
- Index
10 - The New Realities of Accounting and Assuring
Securing the RCM’s Public Funding in the 1990s
from Part IV - Into Its Second Century, 1984–2018
Published online by Cambridge University Press: 26 August 2019
- The Royal College of Music and Its Contexts
- Music Since 1900
- The Royal College of Music and Its Contexts
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Acknowledgements
- Notes on the Text
- Abbreviations
- Introduction
- Part I Building and Consolidating (1883–1914)
- Part II Renewal and Conventionality (1919–1960)
- Part III Changing Musical Cultures (1960–1984)
- Part IV Into Its Second Century, 1984–2018
- 9 A Changed State of Rivalry
- 10 The New Realities of Accounting and Assuring
- 11 Reimagining for the Future
- Epilogue
- Works Cited
- Index
Summary
The RCM had invested so much institutional energy into preserving its independence that it had paid insufficient attention to the changing world of higher education. Now, higher education institutions were more directly accountable for the public funding they received under a new regime of quality assurance in curriculum matters and of financial assurance in respect of how funding was spent and the institution’s overall financial health. These new audit systems (with their specialist methodologies and terminologies) imposed a significantly greater administrative burden on the College which previously had been only lightly monitored by the Department of Education. Janet Ritterman was appointed Director with the specific brief to modernize the RCM administration and to enable it to meet the demands of the Higher Education Funding Council for England. This chapter looks at how Ritterman turned the College’s situation around with new administrative protocols that were initially resisted by long-established staff. At the same time, the College implemented new strategies to recruit overseas students (now financially necessary) and to establish a College Hall to house them.
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- Information
- The Royal College of Music and its ContextsAn Artistic and Social History, pp. 323 - 329Publisher: Cambridge University PressPrint publication year: 2019