Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of Contributors
- Introduction: Open City: Reappropriating the Old, Making the New
- 1 Rossellini, Open City, and Neorealism
- 2 The Making of Roma città aperta: The Legacy of Fascism and the Birth of Neorealism
- 3 Celluloide and the Palimpsest of Cinematic Memory: Carlo Lizzani's Film of the Story Behind Open City
- 4 Diverting Clichés: Femininity, Masculinity, Melodrama, and Neorealism in Open City
- 5 Space, Rhetoric, and the Divided City in Roma città aperta
- 6 Mourning, Melancholia, and the Popular Front: Roberto Rossellini's Beautiful Revolution
- REVIEWS OF OPEN CITY
- Filmography
- Select Bibliography
- Index
Select Bibliography
Published online by Cambridge University Press: 09 February 2010
- Frontmatter
- Contents
- Acknowledgments
- List of Contributors
- Introduction: Open City: Reappropriating the Old, Making the New
- 1 Rossellini, Open City, and Neorealism
- 2 The Making of Roma città aperta: The Legacy of Fascism and the Birth of Neorealism
- 3 Celluloide and the Palimpsest of Cinematic Memory: Carlo Lizzani's Film of the Story Behind Open City
- 4 Diverting Clichés: Femininity, Masculinity, Melodrama, and Neorealism in Open City
- 5 Space, Rhetoric, and the Divided City in Roma città aperta
- 6 Mourning, Melancholia, and the Popular Front: Roberto Rossellini's Beautiful Revolution
- REVIEWS OF OPEN CITY
- Filmography
- Select Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Roberto Rossellini's Rome Open City , pp. 189 - 190Publisher: Cambridge University PressPrint publication year: 2004