Book contents
- Frontmatter
- Contents
- Foreword by Kathleen Cioffi
- Preface
- Acknowledgments
- List of Illustrations
- Introduction
- Part I Our Auschwitz: Grotowski's Akropolis
- Chapter 1 Jerzy Grotowski: A Very Short Introduction
- Chapter 2 Native Son: Grotowski in Poland
- Chapter 3 Grotowski: The Polish Context
- Chapter 4 Grotowski, the Messiah: Coming to America
- Chapter 5 The Making of an Aura
- Chapter 6 On Not Knowing Polish
- Chapter 7 “In Poland: That is to Say, Nowhere”
- Chapter 8 Akropolis/Necropolis
- Chapter 9 The Vision and the Symbol
- Chapter 10 “This Drama as Drama Cannot Be Staged”
- Chapter 11 Two National Sacrums
- Chapter 12 “Hollow Sneering Laughter”: Mourning the Columbuses
- Chapter 13 Against Heroics
- Chapter 14 Representing the Unrepresentable
- Chapter 15 Trip to the Museum
- Chapter 16 Bearing the Unbearable
- Chapter 17 The Living and the Dead
- Chapter 18 Jacob's Burden
- Chapter 19 The Final Descent
- Chapter 20 Textual Transpositions
- Chapter 21 Akropolis After Grotowski
- Part II Our Memory: Kantor's Dead Class
- Postscript
- Appendix
- Notes
- Bibliography
- Index
Chapter 12 - “Hollow Sneering Laughter”: Mourning the Columbuses
from Part I - Our Auschwitz: Grotowski's Akropolis
- Frontmatter
- Contents
- Foreword by Kathleen Cioffi
- Preface
- Acknowledgments
- List of Illustrations
- Introduction
- Part I Our Auschwitz: Grotowski's Akropolis
- Chapter 1 Jerzy Grotowski: A Very Short Introduction
- Chapter 2 Native Son: Grotowski in Poland
- Chapter 3 Grotowski: The Polish Context
- Chapter 4 Grotowski, the Messiah: Coming to America
- Chapter 5 The Making of an Aura
- Chapter 6 On Not Knowing Polish
- Chapter 7 “In Poland: That is to Say, Nowhere”
- Chapter 8 Akropolis/Necropolis
- Chapter 9 The Vision and the Symbol
- Chapter 10 “This Drama as Drama Cannot Be Staged”
- Chapter 11 Two National Sacrums
- Chapter 12 “Hollow Sneering Laughter”: Mourning the Columbuses
- Chapter 13 Against Heroics
- Chapter 14 Representing the Unrepresentable
- Chapter 15 Trip to the Museum
- Chapter 16 Bearing the Unbearable
- Chapter 17 The Living and the Dead
- Chapter 18 Jacob's Burden
- Chapter 19 The Final Descent
- Chapter 20 Textual Transpositions
- Chapter 21 Akropolis After Grotowski
- Part II Our Memory: Kantor's Dead Class
- Postscript
- Appendix
- Notes
- Bibliography
- Index
Summary
Although they admired Grotowski's formal theatrical strategies, foreign scholars and critics remained unaware of the relationship between Grotowski and Borowski. In Poland, however, it was common knowledge that both the form and content of Grotowski's Akropolis were inspired by Borowski's writing and the style of his prose. In fact, many have suggested that in his theatrical strategy, Grotowski replicated Borowski's writing style. As Osiński points out, that relationship was completely overlooked, however, in European and American circles. Tadeusz Borowski (1922–1951) was a Polish writer, poet and essayist who survived Auschwitz, wrote a highly acclaimed series of concentration camp stories (published in the USA under the title This Way for the Gas, Ladies and Gentlemen), and committed suicide in 1951 by inhaling gas from an oven. Borowski's 1942 volume of poetry has an “apocalyptic and catastrophist tone [that] stands out against the poetry of his generation, which was shot through with a grand romantic urge to fight.” The poster for Akropolis quotes an epitaph from a poem by Borowski. The poem cited by Grotowski goes like this:
Nad nami – noc. Goreją gwiazdy,
dławiący, trupi nieba fiolet.
Zostanie po nas złom żelazny
i głuchy, drwiący śmiech pokoleń.
Above us – night. Smoldering stars,
stifling, putrid purple of the sky.
We'll leave behind us iron scraps
and hollow sneering laughter [of those – generations – who'll come after us].
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- The Post-traumatic Theatre of Grotowski and KantorHistory and Holocaust in 'Akropolis' and 'Dead Class', pp. 111 - 118Publisher: Anthem PressPrint publication year: 2012