Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Foreword
- Introduction
- 1 A Maverick Scholar: The Writings of Pankaj Mishra
- 2 Commodification of Post-Rushdie Indian Novels in English: Kunal Basu and the Politics of Decanonization
- 3 Marketing Lad Lit, Creating Bestsellers: The Importance of Being Chetan Bhagat
- 4 Vikas Swarup: Writing India in Global Time
- 5 The God of Small Things: Arundhati Roy's ‘Made in India’ Bookerboiler
- 6 Aravind Adiga: The White Elephant? Postliberalization, the Politics of Reception and the Globalization of Literary Prizes
- 7 ‘The Multinational's Song’: The Global Reception of M. G. Vassanji
- 8 ‘Shreds of Indianness’: Identity and Representation in Manju Kapur's The Immigrant
- 9 Inside ‘The Temple of Modern Desire’: Recollecting and Relocating Bombay
- 10 Tabish Khair: Marketing Compulsions and Artistic Integrity
- 11 Rohinton Mistry and the Canlit Imperative
- 12 Amitav Ghosh: The Indian Architect of a Postnational Utopia
- 13 Here, There and Everywhere: Vikram Seth's Multiple Literary Constituencies
- 14 Whatever Happened to Kaavya Viswanathan?
- 15 Of Win and Loss: Kiran Desai's Global Storytelling
- 16 Immigrant Desires: Narratives of the Indian Diaspora by Chitra Banerjee Divakaruni
- Glossary of Indian Words
- List of Contributors
- Bibliography
- Index
13 - Here, There and Everywhere: Vikram Seth's Multiple Literary Constituencies
Published online by Cambridge University Press: 05 July 2013
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Foreword
- Introduction
- 1 A Maverick Scholar: The Writings of Pankaj Mishra
- 2 Commodification of Post-Rushdie Indian Novels in English: Kunal Basu and the Politics of Decanonization
- 3 Marketing Lad Lit, Creating Bestsellers: The Importance of Being Chetan Bhagat
- 4 Vikas Swarup: Writing India in Global Time
- 5 The God of Small Things: Arundhati Roy's ‘Made in India’ Bookerboiler
- 6 Aravind Adiga: The White Elephant? Postliberalization, the Politics of Reception and the Globalization of Literary Prizes
- 7 ‘The Multinational's Song’: The Global Reception of M. G. Vassanji
- 8 ‘Shreds of Indianness’: Identity and Representation in Manju Kapur's The Immigrant
- 9 Inside ‘The Temple of Modern Desire’: Recollecting and Relocating Bombay
- 10 Tabish Khair: Marketing Compulsions and Artistic Integrity
- 11 Rohinton Mistry and the Canlit Imperative
- 12 Amitav Ghosh: The Indian Architect of a Postnational Utopia
- 13 Here, There and Everywhere: Vikram Seth's Multiple Literary Constituencies
- 14 Whatever Happened to Kaavya Viswanathan?
- 15 Of Win and Loss: Kiran Desai's Global Storytelling
- 16 Immigrant Desires: Narratives of the Indian Diaspora by Chitra Banerjee Divakaruni
- Glossary of Indian Words
- List of Contributors
- Bibliography
- Index
Summary
Vikram Seth is unique among contemporary Indian writers in English in that he has successfully defied the attempts of academicians to fix his body of work within a singular category of literary production. An Indian by birth, Seth has experienced a considerable degree of global migrancy in the course of his literary career, spanning three decades. He has lived in three continents and has written in a variety of genres. The first part of this paper offers a literary biographical overview to correlate Seth's mobility to the creative milieu of his work and reception therein. Seth, for instance, moves with ease from San Francisco ‘yuppiedom’ in The Golden Gate (1986) to medieval Chinese poetry in Three Chinese Poets (1992), and from the Hindi belt in immediate postindependence North India in A Suitable Boy (1993) to the world of classical music of Bach and Beethoven in Britain, Italy and Austria in An Equal Music (1999). Two Lives (2005) encompasses the geographical and temporal span of pre–World War II Germany and postwar Britain.
Critics are unanimous about Seth's mastery over his craft, in both prose and verse. There are, however, varied opinions on Seth's ‘belongingness’ in terms of geocultural location, central to considerations of the politics of publication and reception. Seth's writing has been considered from within various theoretical brackets including the ‘postcolonial’, ‘transnational’, ‘cosmopolitan’ and ‘diasporic’.
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- Chapter
- Information
- Postliberalization Indian Novels in EnglishPolitics of Global Reception and Awards, pp. 141 - 150Publisher: Anthem PressPrint publication year: 2013