Book contents
- Performing Restoration Shakespeare
- Performing Restoration Shakespeare
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Foreword
- Acknowledgements
- Abbreviations
- Introduction: New Shakespeare for a New Era
- Chapter 1 From Boards to Books: The Circulation of Shakespearean Songs in Manuscript and Print during the Interregnum
- Chapter 2 Heroic Shakespeare at Lincoln’s Inn Fields
- Chapter 3 More than a Song and Dance? Identifying Matthew Locke’s Incidental Music for Macbeth
- Chapter 4 Cross-Dressing in Restoration Shakespeare: Twelfth Night and The Tempest
- Chapter 5 Performing Restoration Shakespeare in the Eighteenth Century
- Chapter 6 An Actor’s Perspective on Restoration Shakespeare
- Chapter 7 Staging Restoration Shakespeare with Restoration Music
- Chapter 8 Davenant’s Lady Macduff and the Subversion of Normative Femininity in Twenty-First-Century Performance
- Chapter 9 Facts as Ideas: The Theatricalisation of Scholarship
- Chapter 10 Syncopated Time: Staging the Restoration Tempest
- Bibliography
- Index
Chapter 6 - An Actor’s Perspective on Restoration Shakespeare
Published online by Cambridge University Press: 28 January 2023
- Performing Restoration Shakespeare
- Performing Restoration Shakespeare
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Foreword
- Acknowledgements
- Abbreviations
- Introduction: New Shakespeare for a New Era
- Chapter 1 From Boards to Books: The Circulation of Shakespearean Songs in Manuscript and Print during the Interregnum
- Chapter 2 Heroic Shakespeare at Lincoln’s Inn Fields
- Chapter 3 More than a Song and Dance? Identifying Matthew Locke’s Incidental Music for Macbeth
- Chapter 4 Cross-Dressing in Restoration Shakespeare: Twelfth Night and The Tempest
- Chapter 5 Performing Restoration Shakespeare in the Eighteenth Century
- Chapter 6 An Actor’s Perspective on Restoration Shakespeare
- Chapter 7 Staging Restoration Shakespeare with Restoration Music
- Chapter 8 Davenant’s Lady Macduff and the Subversion of Normative Femininity in Twenty-First-Century Performance
- Chapter 9 Facts as Ideas: The Theatricalisation of Scholarship
- Chapter 10 Syncopated Time: Staging the Restoration Tempest
- Bibliography
- Index
Summary
The veteran classical actor Louis Butelli played Duncan in the 2018 production of Davenant’s Macbeth at the Folger Theatre, a collaboration between the Folger Shakespeare Library and the research project ‘Performing Restoration Shakespeare’. In this interview with Richard Schoch, Butelli explores the challenges that Restoration Shakespeare presents to a contemporary actor, including unfamiliarity, bias toward Shakespeare’s original versions, heightened language and the interpolation of music. Drawing on his own research into Restoration theatre, Butelli also reflects on his experience of collaborating with a team of scholar in the production of Davenant’s Macbeth. In contrast to the chapter by actor Kate Eastwood Norris, this chapter investigates how actors can learn from documentary sources about Restoration theatre (e.g., Colley Cibber’s Apology) to enhance their own work today.
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- Information
- Performing Restoration Shakespeare , pp. 118 - 131Publisher: Cambridge University PressPrint publication year: 2023