Book contents
- Oliver Goldsmith in Context
- Oliver Goldsmith in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and Career
- Part II Social, Cultural, and Intellectual Contexts
- Part III Literary Contexts
- Part IV Critical Fortunes and Afterlives
- Chapter 31 Editions
- Chapter 32 Critical Reception before 1900
- Chapter 33 Critical Reception after 1900
- Chapter 34 Afterlives 1: The Victorian Vicar
- Chapter 35 Afterlives 2: Theatre
- Chapter 36 Afterlives 3: Poetry
- Further Reading
- Index
Chapter 36 - Afterlives 3: Poetry
from Part IV - Critical Fortunes and Afterlives
Published online by Cambridge University Press: 28 November 2024
- Oliver Goldsmith in Context
- Oliver Goldsmith in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Notes on Contributors
- Preface
- Chronology
- Abbreviations
- Part I Life and Career
- Part II Social, Cultural, and Intellectual Contexts
- Part III Literary Contexts
- Part IV Critical Fortunes and Afterlives
- Chapter 31 Editions
- Chapter 32 Critical Reception before 1900
- Chapter 33 Critical Reception after 1900
- Chapter 34 Afterlives 1: The Victorian Vicar
- Chapter 35 Afterlives 2: Theatre
- Chapter 36 Afterlives 3: Poetry
- Further Reading
- Index
Summary
Almost immediately after its publication in 1770, writers recognized The Deserted Village as a politically radical poem. This view is reflected in several imitations published in Britain in the decades immediately following. Writers in the British colonies in North America and the early United States adapted the poem to other ends, replacing the temporal relationship between the two Auburns in Goldsmith’s poem with a spatial relationship. This substitution allowed them to read The Deserted Village as a description of England and the Auburn of old as a representation of the promise of the emerging nation. This chapter traces the afterlife of Goldsmith’s Deserted Village, his only poem to have had a considerable influence on other poets, from late eighteenth- and early nineteenth-century reworkings in Britain and America through to contemporary reimaginings by Irish poets.
- Type
- Chapter
- Information
- Oliver Goldsmith in Context , pp. 306 - 314Publisher: Cambridge University PressPrint publication year: 2024