Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-24T22:33:02.873Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Conclusion

Julie Kelso
Affiliation:
University of Queensland, Australia
Get access

Summary

In both the genealogical discourse (1 Chronicles 1–9) and the narrative section of Chronicles (1 Chronicles 10–2 Chronicles 36), the “feminine” is understood primarily as the symbolic (re)producer of the masculine for man: “she” is the (silent) mother of sons. Overwhelmingly, women are associated with this symbolic function. At the same time, however, the maternal body itself is rarely present in this construction of religio-political origins. Beginning with Adam (1 Chron. 1:1), with no sign of Eve, and beginning again with the murder of Saul (1 Chronicles 10), the one who inquires of the feminine, and his line, our analysand betrays his desire and indeed need for the recognition of paternal origins only. I have argued that while the disavowal and repression of corporeal maternal origins, along with the primary association of the “feminine” with the maternal function for men may seem like a contradiction, these two features of the textual discourses of Chronicles are in fact logically co-extensive. “Woman” is interned as the Symbolic site of reproduction (of the son), while her reproductive body represents the un-representable within that Symbolic order: the maternal body constitutes the principal silence of this masculine discursive production of the past. In other words, “woman” as the son's mother, is the silent mother.

Type
Chapter
Information
O Mother, Where Art Thou?
An Irigarayan Reading of the Book of Chronicles
, pp. 212 - 215
Publisher: Acumen Publishing
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Conclusion
  • Julie Kelso, University of Queensland, Australia
  • Book: O Mother, Where Art Thou?
  • Online publication: 05 June 2014
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Conclusion
  • Julie Kelso, University of Queensland, Australia
  • Book: O Mother, Where Art Thou?
  • Online publication: 05 June 2014
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Julie Kelso, University of Queensland, Australia
  • Book: O Mother, Where Art Thou?
  • Online publication: 05 June 2014
Available formats
×