Book contents
- Nineteenth-Century Literature in Transition: The 1830s
- Nineteenth-Century Literature in Transition
- Nineteenth-Century Literature in Transition: The 1830s
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 On the Eve
- Chapter 2 ‘An Infectious Madness’
- Chapter 3 Augustus Hardin Beaumont, Slavery Apologias, and Popular Radical Literature in the 1830s
- Chapter 4 Patterns of Industry
- Chapter 5 Mother Earth
- Chapter 6 The Polite Fictions of Slavery
- Chapter 7 Suffering, Sentiment, and the Rise of Humanitarian Literature in the 1830s
- Chapter 8 Steam and Iron in the 1830s
- Chapter 9 Lithography and the Comic Image 1825–1840
- Chapter 10 Jorrocks’s Canon
- Chapter 11 Tennyson, Dickens, Poe, Browning, and the Brontës:Blackwood’s Magazine and ‘The Foreheads of a New Generation’
- Chapter 12 Boz in London: The 1830s and the Urban Turn in the English Novel
- Chapter 13 Letitia Elizabeth Landon, Chronicler of the 1830s
- Chapter 14 Railway Imaginary in the 1830s
- Chapter 15 The Emerging Language of Photography
- Afterword
- Index
Chapter 13 - Letitia Elizabeth Landon, Chronicler of the 1830s
Published online by Cambridge University Press: 30 May 2024
- Nineteenth-Century Literature in Transition: The 1830s
- Nineteenth-Century Literature in Transition
- Nineteenth-Century Literature in Transition: The 1830s
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 On the Eve
- Chapter 2 ‘An Infectious Madness’
- Chapter 3 Augustus Hardin Beaumont, Slavery Apologias, and Popular Radical Literature in the 1830s
- Chapter 4 Patterns of Industry
- Chapter 5 Mother Earth
- Chapter 6 The Polite Fictions of Slavery
- Chapter 7 Suffering, Sentiment, and the Rise of Humanitarian Literature in the 1830s
- Chapter 8 Steam and Iron in the 1830s
- Chapter 9 Lithography and the Comic Image 1825–1840
- Chapter 10 Jorrocks’s Canon
- Chapter 11 Tennyson, Dickens, Poe, Browning, and the Brontës:Blackwood’s Magazine and ‘The Foreheads of a New Generation’
- Chapter 12 Boz in London: The 1830s and the Urban Turn in the English Novel
- Chapter 13 Letitia Elizabeth Landon, Chronicler of the 1830s
- Chapter 14 Railway Imaginary in the 1830s
- Chapter 15 The Emerging Language of Photography
- Afterword
- Index
Summary
Letitia Elizabeth Landon was one of the most prominent figures in the 1830s literary scene. She became known, and was often condemned, for a ‘fatal facility’: a tendency to write too easily and too frequently for a market that was itself so overproductive that its grasp on posterity’s regard has proved unstable. Landon’s work in the 1830s mirrors the decade in its variety, its speed of production, its dubiety about cultural status, and its self-conscious reflection on its own potential place in literary history. This chapter explores a wide range of Landon’s 1830s work, work that has typically been passed over by her critics. It explores her interactions with the market via such forms as Silver Fork fiction, short fiction, essays, literary criticism, and ‘hack’ journalism. Her work is shaped by her unstable place as both a literary celebrity and a worker for the press, a combination of identities that was especially difficult for a woman writer. She became the decade’s chronicler: her experiments in 1830s literary forms produce a mode of understanding the uncertain temporality of this unusually self-conscious decade.
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- Nineteenth-Century Literature in Transition: The 1830s , pp. 284 - 303Publisher: Cambridge University PressPrint publication year: 2024