Book contents
- New Orleans
- New Orleans
- Copyright page
- Dedication
- Contents
- Contributors
- Preface
- Acknowledgments
- Chapter 1 Swamp City
- Chapter 2 Mixed Motives
- Chapter 3 “As I Have Seen and Known It”
- Chapter 4 What New Orleans Meant to Walt Whitman
- Chapter 5 Coloring Sex, Love, and Desire in Creole New Orleans’s Long Nineteenth Century
- Chapter 6 The White Creole Tradition
- Chapter 7 The Civil War’s Literary Aftershocks
- Chapter 8 Illusion and Disillusion
- Chapter 9 Local Color, Social Problems, and the Living Dead in the Late-Nineteenth-Century Short Fiction of Alice Dunbar Nelson
- Chapter 10 Kate Chopin, Edna Pontellier, and the Predicament of the Intellectual Woman in New Orleans
- Chapter 11 Converging Americas
- Chapter 12 A Jazz Origin Myth
- Chapter 13 “Stepping Out” of the Storyville Frame
- Chapter 14 Louis Armstrong’s Autobiographical Art
- Chapter 15 New Orleans, Modernism, and The Double Dealer, 1921–1926
- Chapter 16 “Because What Else Could He Have Hoped to Find in New Orleans, If Not the Truth”
- Chapter 17 “The Place I Was Made For”
- Chapter 18 A Civil Rights–Era Novel of the American Civil War
- Chapter 19 How to Survive the Best Environments
- Chapter 20 Tom Dent and the Development of Black Literature in New Orleans
- Chapter 21 The Gothic Tradition in New Orleans
- Chapter 22 A Flaneur in the French Quarter and Beyond
- Chapter 23 Literary Fiction by New Orleans Women, 1961–2003
- Chapter 24 Asian American New Orleans
- Chapter 25 New Orleans Rap and Bounce
- Chapter 26 The Literature of Hurricane Katrina
- Chapter 27 Swan Song?
- Index
Chapter 18 - A Civil Rights–Era Novel of the American Civil War
Robert Penn Warren’s Band of Angels
Published online by Cambridge University Press: 23 August 2019
- New Orleans
- New Orleans
- Copyright page
- Dedication
- Contents
- Contributors
- Preface
- Acknowledgments
- Chapter 1 Swamp City
- Chapter 2 Mixed Motives
- Chapter 3 “As I Have Seen and Known It”
- Chapter 4 What New Orleans Meant to Walt Whitman
- Chapter 5 Coloring Sex, Love, and Desire in Creole New Orleans’s Long Nineteenth Century
- Chapter 6 The White Creole Tradition
- Chapter 7 The Civil War’s Literary Aftershocks
- Chapter 8 Illusion and Disillusion
- Chapter 9 Local Color, Social Problems, and the Living Dead in the Late-Nineteenth-Century Short Fiction of Alice Dunbar Nelson
- Chapter 10 Kate Chopin, Edna Pontellier, and the Predicament of the Intellectual Woman in New Orleans
- Chapter 11 Converging Americas
- Chapter 12 A Jazz Origin Myth
- Chapter 13 “Stepping Out” of the Storyville Frame
- Chapter 14 Louis Armstrong’s Autobiographical Art
- Chapter 15 New Orleans, Modernism, and The Double Dealer, 1921–1926
- Chapter 16 “Because What Else Could He Have Hoped to Find in New Orleans, If Not the Truth”
- Chapter 17 “The Place I Was Made For”
- Chapter 18 A Civil Rights–Era Novel of the American Civil War
- Chapter 19 How to Survive the Best Environments
- Chapter 20 Tom Dent and the Development of Black Literature in New Orleans
- Chapter 21 The Gothic Tradition in New Orleans
- Chapter 22 A Flaneur in the French Quarter and Beyond
- Chapter 23 Literary Fiction by New Orleans Women, 1961–2003
- Chapter 24 Asian American New Orleans
- Chapter 25 New Orleans Rap and Bounce
- Chapter 26 The Literature of Hurricane Katrina
- Chapter 27 Swan Song?
- Index
Summary
Robert Penn Warren produced in the early 1950s a classic portrait of New Orleans during the 1860s, particularly during its occupation by Union troops. The novel is subtly preoccupied by the events of its own time, as Warren addressed them explicitly in other texts composed while this novel was in process. The novel engages the long-established tradition of the tragic mulatress through a main character who had grown up in Kentucky with the assumption that she was white but discovered, upon her father’s death, that she is black and will be sold at auction in New Orleans; the novel then follows her experiences through the Federal occupation of the city and into Reconstruction and The Gilded Age, each step of the way conjuring in vivid detail its historical setting and the complex persistence of racism even in those who wouldpresume to fight hard against it.
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- New OrleansA Literary History, pp. 242 - 251Publisher: Cambridge University PressPrint publication year: 2019