Introduction

Summary

The Introduction outlines key problems of conceptualising and shaping literary history in general, and Russian literary history in particular. It explains the radical decision to structure the volume not as an integrated narrative but as a set of chronologically parallel histories. The Introduction explains the choice of ‘movements’, ‘forms’, ‘mechanisms’, and ‘heroes’ as frameworks for the four main histories, yet also argues that further histories are imaginable, as indicated by the six clusters of smaller essays, or ‘boxes’. As for ‘Russian’: the adjective can refer to language, to geopolitical space, or to cultural and/or national identity. The relationships among these three categories are increasingly contested. Russian Studies have only recently begun to acknowledge and explore the distinctions that are well established for literatures in other imperial languages (for instance, English and Anglophone, French and Francophone). The polyphonic structure of the book facilitates constructive engagement with debates about reshaping the field.