Book contents
- The New Cambridge Companion to Medieval Romance
- The New Cambridge Companion to Medieval Romance
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- 1 “For Love and For Lovers”
- 2 The Manuscript Contexts of Medieval Romance
- 3 Matters of Form
- 4 Authors, Narrators, and Their Stories in Old French Romance
- 5 Arthurian Transformations
- 6 Romance and the Medieval Mediterranean
- 7 The Crusading Romance in Britain
- 8 “Making Race” in Medieval Romance
- 9 The Construction and Interrogation of Gender in Old French Romance
- 10 Emotions as the Language of Romance
- 11 Medieval Iberian Romance
- 12 Medieval and Early Modern Italian Romance
- 13 German Medieval Romance
- 14 The Ends of Romance in Chaucer and Malory
- 15 French Romance in the Late Middle Ages and the Renaissance
- 16 Romance in Historical Context
- 17 Romance in Twentieth- and Twenty-First-Century Popular Culture
- Bibliography of Editions and Translations
- Index
- Cambridge Companions To …
- References
14 - The Ends of Romance in Chaucer and Malory
Published online by Cambridge University Press: 11 May 2023
- The New Cambridge Companion to Medieval Romance
- The New Cambridge Companion to Medieval Romance
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- 1 “For Love and For Lovers”
- 2 The Manuscript Contexts of Medieval Romance
- 3 Matters of Form
- 4 Authors, Narrators, and Their Stories in Old French Romance
- 5 Arthurian Transformations
- 6 Romance and the Medieval Mediterranean
- 7 The Crusading Romance in Britain
- 8 “Making Race” in Medieval Romance
- 9 The Construction and Interrogation of Gender in Old French Romance
- 10 Emotions as the Language of Romance
- 11 Medieval Iberian Romance
- 12 Medieval and Early Modern Italian Romance
- 13 German Medieval Romance
- 14 The Ends of Romance in Chaucer and Malory
- 15 French Romance in the Late Middle Ages and the Renaissance
- 16 Romance in Historical Context
- 17 Romance in Twentieth- and Twenty-First-Century Popular Culture
- Bibliography of Editions and Translations
- Index
- Cambridge Companions To …
- References
Summary
This chapter demonstrates the seriousness and the versatility of the romance genre in the hands of two important late medieval English writers. Examples from the writings of fourteenth-century poet, Geoffrey Chaucer, and fifteenth-century translator and editor, Thomas Malory, reveal romance to be a fictionalizing genre capable of probing serious matters of broad political, social, ethical, or aesthetic concern. The range and versatility of the genre, moreover, offered these writers crucial opportunities for creative and editorial experimentation.
- Type
- Chapter
- Information
- The New Cambridge Companion to Medieval Romance , pp. 211 - 227Publisher: Cambridge University PressPrint publication year: 2023