Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-02T06:10:54.441Z Has data issue: false hasContentIssue false

Episode 11 - “The Magnetic North”

Published online by Cambridge University Press:  10 January 2024

Get access

Summary

EP11's locales are all above the 50th parallel, and the opening narration sets the tone: “For the first time in history, the vacuum that is the top of the world is filled by major powers who meet there and clash… . As the earth shrinks in circumference, so do the routes that link Allies together, so do the avenues along which enemies attack.” This episode circles the globe west-to-east beginning in Alaska, next quickly covering the 1941–42 British and Canadian commando actions in Norway. Further east, we then follow imperiled Allied convoys sailing from Scotland to Murmansk via the North Atlantic and Arctic oceans. The program concludes with a return to the North Pacific, where the Aleutian Islands are both America's closest approach to its ally Russia and the site of Japan's 1942–43 invasion.

Musically, the EP11 score is often atmospheric, tense, and unmelodic, though there are several newsreel-type scenes that might have been agreeably accompanied by a new concert march. This episode has the most cold-weather footage in Victory, prompting stark, icy scoring from Bennett that is singular in the series. There's one new Rodgers theme, the lighthearted FIDDLE-GTR.

Though Bennett nearly always gives each Rodgers Victory theme a straightforward debut, he sometimes introduces his own tunes by a fragment—as seen in EPs 17, 28, 22, and 24—only later revealing the melody in complete form. His EP11 approach is still different, deriving a good deal of music from a dissonant three-note “cell” of a minor second interval atop a perfect fifth—see [C]. Bennett gives the “cell” a variety of harmonic and rhythmic-melodic identities from 4:07 through the string-tremolo chords at EP11's conclusion; the variations of the “cell” are marked with an X in this chapter's musical examples.

EP11 opens with an American B-17's takeoff and weather patrol in Alaska's desolation, paired with distinctive bleak and wintry scoring [A]. The NBC Symphony double reeds get several solo moments in EP11, first with [B], beginning at 1:33, as oboe, English horn, and bassoon are heard in turn.

After 1:55 is a cross-dissolve to an animation viewing the globe from above the North Pole. Highlighted are EP11's three upcoming Scandinavian locales. The first of these, at 2:22, is the Royal Navy's “Operation Claymore” raid of March 1941 on Norway's German-held Lofoten Islands.

Type
Chapter
Information
The Music for Victory at Sea
Richard Rodgers, Robert Russell Bennett, and the Making of a TV Masterpiece
, pp. 207 - 214
Publisher: Boydell & Brewer
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×