General Editors
Kate Flint, University of Southern California
Clare Pettitt, King’s College London
Book contents
- Music and the Queer Body in English Literature at the Fin de Siècle
- Cambridge Studies in Nineteenth-Century Literature and Culture
- Music and the Queer Body in English Literature at the Fin de Siècle
- Copyright page
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Music, Emotion and the Homosexual Subject
- Chapter 2 Flesh: Music, Masochism, Queerness
- Chapter 3 Voice: Disembodiment and Desire
- Chapter 4 Touch: Transmission, Contact, Connection
- Chapter 5 Time: Backward Listening
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies In Nineteenth-Century Literature And Culture
- References
Cambridge Studies In Nineteenth-Century Literature And Culture
Published online by Cambridge University Press: 15 April 2022
Book contents
- Music and the Queer Body in English Literature at the Fin de Siècle
- Cambridge Studies in Nineteenth-Century Literature and Culture
- Music and the Queer Body in English Literature at the Fin de Siècle
- Copyright page
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Music, Emotion and the Homosexual Subject
- Chapter 2 Flesh: Music, Masochism, Queerness
- Chapter 3 Voice: Disembodiment and Desire
- Chapter 4 Touch: Transmission, Contact, Connection
- Chapter 5 Time: Backward Listening
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies In Nineteenth-Century Literature And Culture
- References
Summary
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- Information
- Publisher: Cambridge University PressPrint publication year: 2022
- Creative Commons
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/
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