Book contents
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Part II Messiaen and Theology
- Chapter 10 Messiaen and Tournemire
- Chapter 11 Ressourcement Theology in the Interwar Works of Olivier Messiaen
- Chapter 12 Revitalising the Spiritual:
- Chapter 13 The Theology and Aesthetics of Thomas Aquinas in the Compositions of Olivier Messiaen
- Chapter 14 Messiaen’s Musical Language of Religious Symbolism
- Chapter 15 The Composition of Glory
- Chapter 16 Messiaen and the Franciscan Spirit
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Select Bibliography
- Index
Chapter 13 - The Theology and Aesthetics of Thomas Aquinas in the Compositions of Olivier Messiaen
from Part II - Messiaen and Theology
Published online by Cambridge University Press: 09 November 2023
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Part II Messiaen and Theology
- Chapter 10 Messiaen and Tournemire
- Chapter 11 Ressourcement Theology in the Interwar Works of Olivier Messiaen
- Chapter 12 Revitalising the Spiritual:
- Chapter 13 The Theology and Aesthetics of Thomas Aquinas in the Compositions of Olivier Messiaen
- Chapter 14 Messiaen’s Musical Language of Religious Symbolism
- Chapter 15 The Composition of Glory
- Chapter 16 Messiaen and the Franciscan Spirit
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Select Bibliography
- Index
Summary
Messiaen was inspired by a pantheon of saints and theologians that were important to him: Francis of Assisi, Teresa of Ávila, John of the Cross, Catherine of Siena, and Thérèse de Lisieux, and then Ernest Hello, Dom. Columba Marmion, Romano Guardini, and Hans Urs von Balthasar. This chapter focusses in particular on St Thomas Aquinas, whose work exerted the greatest influence on Messiaen’s understanding of Christian doctrine. It examines the way this shaped his language, and assesses the range of the symbolic manifestations of Aquinas’s thought in his art.
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- Messiaen in Context , pp. 119 - 126Publisher: Cambridge University PressPrint publication year: 2023