Book contents
- Frontmatter
- Contents
- Preface
- Dedication
- Introduction
- Lope García de Salazar: la formación de un bibliófilo y de su biblioteca
- El camino espiritual a Jerusalén a principios del Renacimiento
- Tipos y temas trovadorescos, XX: Fernan Velho
- Cómo vive un soneto: sobre “Perdido ando, señora, entra la gente”
- Del claustro al pliego suelto: la obra de Antonio de Espinosa
- The Bestiary Tradition in the Orto do Esposo
- As Diffinçõoes de Calatraua (1468), numa Versão Portuguesa
- Damião de Góis's Translation and Commentary on Cicero's De Senectute
- Muestrario de incunables catalanes de la Biblioteca Colombina
- Between Ballad and Parallellistic Song: A Condessa Traidora in the Portuguese Oral Tradition
- Dois Casos de Heróis Sem Terra: Rodrigo e Guillaume d’Orange
- El Tratado del menospreçio del mundo ¿de Juan del Encina?
- Cantiga and Canso
- Luís Vaz de Camões and Fernão Mendes Pinto: A Comparative Overview of their Lives in Asia and After
- New Dates and Hypotheses for Some Early Sixteenth-Century Dramatic Texts Suggested by an Alcalá Annotator of Nicolás Antonio
- Los pliegos sueltos del siglo XVI después del Nuevo Diccionario
- “Moricos los mis moricos”: observaciones sobre el romancero carolingio
- Manuscritos e Textos dos Príncipes de Avis: o Leal Conselheiro e Outros Manuscritos: Problemas de Deriva Filológica e Tentativa de Reintegração
- Autobiografia, Cultura e Ideologia em Peregrinação de Fernão Mendes Pinto
- The Sepultura de Macías by San Pedro – But Which San Pedro?
- Tablante de Ricamonte before and after Cervantes’ Don Quixote
- Bibliography of Arthur Lee-Francis Askins
- Tabula Gratulatoria
Introduction
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Preface
- Dedication
- Introduction
- Lope García de Salazar: la formación de un bibliófilo y de su biblioteca
- El camino espiritual a Jerusalén a principios del Renacimiento
- Tipos y temas trovadorescos, XX: Fernan Velho
- Cómo vive un soneto: sobre “Perdido ando, señora, entra la gente”
- Del claustro al pliego suelto: la obra de Antonio de Espinosa
- The Bestiary Tradition in the Orto do Esposo
- As Diffinçõoes de Calatraua (1468), numa Versão Portuguesa
- Damião de Góis's Translation and Commentary on Cicero's De Senectute
- Muestrario de incunables catalanes de la Biblioteca Colombina
- Between Ballad and Parallellistic Song: A Condessa Traidora in the Portuguese Oral Tradition
- Dois Casos de Heróis Sem Terra: Rodrigo e Guillaume d’Orange
- El Tratado del menospreçio del mundo ¿de Juan del Encina?
- Cantiga and Canso
- Luís Vaz de Camões and Fernão Mendes Pinto: A Comparative Overview of their Lives in Asia and After
- New Dates and Hypotheses for Some Early Sixteenth-Century Dramatic Texts Suggested by an Alcalá Annotator of Nicolás Antonio
- Los pliegos sueltos del siglo XVI después del Nuevo Diccionario
- “Moricos los mis moricos”: observaciones sobre el romancero carolingio
- Manuscritos e Textos dos Príncipes de Avis: o Leal Conselheiro e Outros Manuscritos: Problemas de Deriva Filológica e Tentativa de Reintegração
- Autobiografia, Cultura e Ideologia em Peregrinação de Fernão Mendes Pinto
- The Sepultura de Macías by San Pedro – But Which San Pedro?
- Tablante de Ricamonte before and after Cervantes’ Don Quixote
- Bibliography of Arthur Lee-Francis Askins
- Tabula Gratulatoria
Summary
Exegi monumentum aere perennius. Horace. Carmina III.xxx.1
atque inter siluas Academi quaerere uerum. Horace. Epistulae II.ii.45
Arthur Lee-Francis Askins was born in Clarkesville Arkansas, a small town in the valley of the Arkansas River, on August 9, 1934. Although it has been more than sixty years since the son of Francis and Lillian Adkins Askins has lived in Arkansas, he treasures his Arkansas relatives and roots and considers himself bi-dialectal, switching at will between the Ozark dialect of his birthplace and the academic English he learned later.
The family moved to Long Beach, California in 1940 when Arthur's father was transferred by his employer, Newberry Electric Corporation, to work on the wiring of U. S. Navy ships, a job which he held throughout World War II. After the war, the family remained in Long Beach, where Arthur's public school education took place. In high school he was, among other things, an Eagle Scout and a championship ballroom dancer. (Years later, dining with friends at an open-air restaurant in the Retiro, in Madrid, he would be hauled up on stage by an American blues singer and would impress all with his still polished moves.) As was common in California at the time, he carried out his basic college studies at a community college, Long Beach City College (1952–54), then transferred to UCLA (B.A. 1956), where he first majored in Archeology before switching to Latin American Studies. He stayed on for an M.A. in Spanish American Literature in 1958. As an archeology major he participated in a Mayan language project, which led to his writing the Mayan dialogue for an eminently forgettable science-fiction epic film, The Flame Barrier (1958), starring Kathleen Crowley and Arthur Franz.
Arthur began doctoral studies at Berkeley in 1958, when the only Ph.D. offered was in Romance Languages and Literature. In addition to Spanish, French, and Italian literature, Arthur continued with Portuguese, which he polished through study at Coimbra (1960).
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- Medieval and Renaissance Spain and PortugalStudies in Honor of Arthur L-F. Askins, pp. ix - xviiiPublisher: Boydell & BrewerPrint publication year: 2006