Book contents
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Preface
- LISZT AND ENGLAND
- Appendix A Previously Little-Known Liszt Letters Relating to England, 1837-1886
- Appendix B Toward a Chronology of First and Early Performances of Liszt's Music in England, 1842-1911
- Appendix C Gleanings from the Press and Online Sources
- Other Sources and Sigla
- Index of Personal and Place Names
- Index of Liszt's Compositions, Arrangements, and Collaborations
- About the Author
Appendix B - Toward a Chronology of First and Early Performances of Liszt's Music in England, 1842-1911
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Preface
- LISZT AND ENGLAND
- Appendix A Previously Little-Known Liszt Letters Relating to England, 1837-1886
- Appendix B Toward a Chronology of First and Early Performances of Liszt's Music in England, 1842-1911
- Appendix C Gleanings from the Press and Online Sources
- Other Sources and Sigla
- Index of Personal and Place Names
- Index of Liszt's Compositions, Arrangements, and Collaborations
- About the Author
Summary
In many cases the performances identified below from 1842-1865 are also referenced in Chapter 9, while those from 1865-1911 are also referenced in Chapter 10. Most of the works below are well-known; in a few cases, however, they represent arrangements or even possibly unknown compositions. Unless otherwise specified, names given below are those of solo pianists, vocalists, and/or conductors.
1842 “Piano Cncerto” coomposed by Aton Rninstein and “arranged by Lszt.” Performed b iinstein oyRubn 20 May.
1842 Schubert/Liszt Ave Miaar. Seophi Bohrer, 13 July.
1843 “O Blissful Moment.” 12 April.
1843 Réminiscences du Lucia de Lammermoor. Carl Filtch, 15 June.
1843 Grand Galop chromatique. Ede Buddens, 8 November.
1844 Hexameron. Christine Weller, 13 June.
1845 “Hungarian Air.” Juliana Szczepanowski, 28 November.
1846 Réminiscences de Norma. Wilhelm Kuhe, 1 May. 1846 Gretchen am Spinnrade. Marie yel, 1Ple6 May.
1846 LA Danza, S. 424/9. Marie Pleyel, 16 M.ay
1846 Réminiscences de Robert k Diable. Brinley Richards, 22 May.
1847 Mélodies hongroises. Juliana Szczepanowski, 17 Jly.
1848 LA Regata veneziana, S. 424/2. Clara Loveday, 30 June.
1848 “[O]ne piece from Lederi ohne Worte by Mendelssohn arranged by Liszt.” Lindsay Sloper, 18 December. 1850 Lob der Tränen. Charles Hallé, 24 January.
1850 Auf dem Wasser %u singen. Charles Hallé, 24 Jnuary.
1850 Adelaïde, S. 466. Charles Hallé, 24 Jnuary.
1850 Oberon overture, S. 574; and Der Freischütz overture, S. 575. Adolph Henselt, 10 September.
1850 Du bist die Ruh and Rauschender Strom. Charles Hallé, 14 November.
1852 Réminiscences de Don Juan. Wilhelmina Clauss, 20 April.
1852 Les Patineurs, S. 414; and Les aintesPl de laJeune Fille, S. 563. Marie Pleyel, 4 May. 1852 LA Gita in Gondola, S. 424/4. Marie Pleyel, 24 June.
1853 Réminiscenses des I Puritani. Joseph Thorne Harris, January.
1853 Schubert/Liszt Der Wanderer. Ede Szerhadélyi, 16 April.
1853 Hungarian Rhapsody No. 1. Ede Szerhadélyi (dedicatee), 16 April.
1854 Mendelssohn/Liszt Hochzeitsmarsch und Elfenreigen, S. 410. Karl Klindworth, 30 March.
1855 Sonata in B minor. Karl Klindworth, 5 April; private performance.
1855 Schubert/Liszt Frühlingsglaube and Der Erlkönig. Charles Hallé, 13 December.
1856 Ungarischer Stürm-marsch (first version). August Manns and the Crystal Palace orchestra, 12 April. The first of five performances.
1856 Wagner/Liszt O du mein holder Abendstern, S, 444, Performed by Wilhelm A. F. Schules, 22 April, at a lecture-recital.
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- Liszt and England , pp. 265 - 274Publisher: Boydell & BrewerPrint publication year: 2016