Book contents
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Preface
- LISZT AND ENGLAND
- Appendix A Previously Little-Known Liszt Letters Relating to England, 1837-1886
- Appendix B Toward a Chronology of First and Early Performances of Liszt's Music in England, 1842-1911
- Appendix C Gleanings from the Press and Online Sources
- Other Sources and Sigla
- Index of Personal and Place Names
- Index of Liszt's Compositions, Arrangements, and Collaborations
- About the Author
Appendix C - Gleanings from the Press and Online Sources
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Preface
- LISZT AND ENGLAND
- Appendix A Previously Little-Known Liszt Letters Relating to England, 1837-1886
- Appendix B Toward a Chronology of First and Early Performances of Liszt's Music in England, 1842-1911
- Appendix C Gleanings from the Press and Online Sources
- Other Sources and Sigla
- Index of Personal and Place Names
- Index of Liszt's Compositions, Arrangements, and Collaborations
- About the Author
Summary
Etude en douze exercises of 1826:
“Etudes op. 6, by Le Jeune Liszt … the same book also including Books 11 and 111 [?] of Clementi's Préludes et Exercices fingered and metronome by Le Jeune Liszt also.”
Musical Standard (21 October 1911): 257.
Of the Consolations:
Liszt's Consolation [No. 3] for the Pianoforte sent free on receipt of 12 post-age stamps – “Pure, melodious, and full of sweet and soothing expression” – Daily News. “One of the most charming things of the kind” – Athenaeum. [An advertisement published by] Ewer and Co. 390 Oxford Street, London.
Times (5 April 1858): 4.
Of Liszt pianos:
An entry in the Broadwood daybook for 4 August 1826 records the sending of a 6 ½ octave grand piano no. 10982 addressed to Monsieur la jeune Liszt pianiste, Rue Chantereine no. 6, Paris (ref: 2185/111/42/17). It was apparently provided as a present for the young Franz Liszt by Thomas Broadwood since it is recorded as being’ a present by order of Mr. T. Broadwood.’ The relevant number book for this piano (ref: 2185/JB/42/233) provides another entry for the piano for 11 January 1827. Unfortunately the page for that date in the number book (ref: 2185/JB/42/18b) is so badly faded that it is unreadable.” An email, dated 13 April, 2005 from Margaret Griffiths, History Centre, Surrey.
See also the Musical World (14 March 1863): 164.
Of Die Legende von der heiligen Elisabeth:
“… the first part of St. Elisabeth has repeatedly been given at the Athenaeum [in Manchester] by the finished choir over which Dr. [Henry] Hiles [1826-1904] formerly presided, a great desire was excited to hear the complete work written in so serious and thoughtful a strain…”
Musical Times (1893): 603.
Of Liszt's death mask:
Liszt's Death Mask held in The Royal Academy of Music in London. Committee of Management meeting, Wednesday 26 January 1921, 5.30 p.m.
“Sir Alexander Mackenzie presented a death mask of Liszt, explaining that there were but four or five of those in existence, and he thought it would be more suitable for a Public Institution than a private house. The gift was accepted with acclamation.”
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- Information
- Liszt and England , pp. 275 - 278Publisher: Boydell & BrewerPrint publication year: 2016