Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-24T04:32:58.357Z Has data issue: false hasContentIssue false

Chapter 16 - ‘Home Rule in Our Literature’: Irish–British Poetic Relations

from Part IV - Identities and Connections

Published online by Cambridge University Press:  28 February 2020

Eve Patten
Affiliation:
Trinity College Dublin
Get access

Summary

One of the most significant components of a formative modern Irish literary canon in the middle decades of the twentieth century is its interaction with a neighbouring British literary tradition. In its emphasis on this mid-century hinterland the chapter seeks to revise existing concepts of ‘resurgence’ in the Irish poetry of the 1970s, and explores instead the aesthetic inheritances, connections and continuities that define this period. It initially discusses how members of the poetic coterie in 1940s Dublin, Austin Clarke and Valentin Iremonger, responded in different ways to the publication of Freda Naughton’s A Transitory House by Jonathan Cape in 1945. In being dismissed or praised for its detachment from Ireland, this – her first and only volume - offered a sounding board for anxieties about these writers’ status in relation to England. A similar kind of anxiety is found in the Ulster poetry and criticism of John Hewitt, Roy McFadden and particularly Robert Graecen during these years, writers who held an awkward position in relation to both British and Irish traditions. It then tracks a series of engagements through the 1950s, when Philip Larkin was in Belfast and Donald Davie was in Dublin, locations which were far more productive for the latter than the former.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×