Book contents
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
8 - Maestri e operisti
Cimarosa and Guglielmi
Published online by Cambridge University Press: 04 December 2020
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
Summary
The present chapter continues the discussion about Neapolitan maestri/operisti who produced instrumental compositions, focusing on Domenico Cimarosa and Pietro Alessandro Guglielmi. The surviving instrumental works of Cimarosa and Guglielmi favor keyboard genres (solo and ensemble), reflecting the preferences of Maria Carolina. The evidence also includes larger forms such as the concerto and sinfonia, the latter bearing clues regarding possible performances by the Cappella Reale. The pieces examined in this chapter reveal the distinctive imprimatur of Neapolitan pedagogy, namely the presence of melodic schemata not only as a principal technical resource but also, and more importantly, as the fundamental core of a distinctive style.
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- Instrumental Music in Late Eighteenth-Century NaplesPolitics, Patronage and Artistic Culture, pp. 230 - 270Publisher: Cambridge University PressPrint publication year: 2020