Book contents
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Chapter 6 - Shadows of Haiti
Racing Gender, Violence, and Sentiment in Victor Séjour, Gertrudis Gómez de Avellaneda, and Charles Chesnutt
Published online by Cambridge University Press: 29 April 2021
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Summary
“Shadows of Haiti” examines echoes of the Haitian Revolution in three texts from the extended Caribbean:Victor Séjour’s “Le Mulâtre,”, Gertrudis Gómez de Avellaneda’s Sab, and Charles Chesnutt’s Paul Marchand F.M.C.After an overview of world-systems theory and an introduction to the historical context in which each of these texts is situated, this chapter compares the ways in which the potentially violent revolt of a mixed-race heterosexual male protagonist is neutered or silenced by the conventions of sentiment. Haunting all three texts is the dark shadow of the violent revolt in Saint-Domingue, enmeshed with the consequences of deadly family secrets related to race and violence. In “Le Mulâtre” and Sab, the male protagonist dies. In Paul Marchand F.M.C, however, the hero survives but is silenced and forced into exile in France.
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- A History of the Literature of the U.S. South , pp. 112 - 125Publisher: Cambridge University PressPrint publication year: 2021