Book contents
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Chapter 17 - Provincialism as a Positive Good
Agrarianism and Its Afterlives
Published online by Cambridge University Press: 29 April 2021
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Summary
While I’ll Take My Stand is a terrible book by any standard of argumentation, it belongs in a history of the literature of the U.S. South because virtually the entire history of mainstream southern studies, literary and otherwise, is based on a distorted and selective reading of that Agrarian manifesto. The past ninety years’ profoundly opposed receptions of I’ll Take My Stand inside and outside of southern studies are thus ultimately much more significant than the book that prompted the receptions. Virtually all the critiques of old southern studies offered by the so-called new southern studies have been regularly made by scholars and critics outside the field since the manifesto appeared; conversely, even today, much allegedly “progressive” southernist scholarship continues to promulgate Agrarian ideals that romanticize the land, tradition, and the rural.
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- A History of the Literature of the U.S. South , pp. 282 - 296Publisher: Cambridge University PressPrint publication year: 2021