Book contents
- Frontmatter
- Contents
- Introduction
- 1 The Place of Renaissance Italy in the History of Emotions
- 2 The Emotional Language of Justice in Late Medieval Italy
- 3 The Anxiety of the Republics: “Timor” in Italy of the Communes during the 1330s
- 4 Humiliation and the Exercise of Power in the Florentine: Contado in the Mid-Fourteenth Century
- 5 The Words of Emotion: Political Language and Discursive Resources in Lorenzo de Medici’s Lettere (1468-1492)
- 6 Metaphor, Emotion and the Languages of Politics in Late Medieval Italy: A Genoese Lamento of 1473
- 7 Debt, Humiliation, and Stress in Fourteenth-Century Lucca and Marseille
- 8 Renaissance Emotions: Hate and disease in European perspective
- 9 The Emotive Power of an Evolving Symbol: The Idea of the Dome from Kurgan Graves to the Florentine Tempio Israelitico
- 10 The Emotions of the State: A Survey of the Visconti Chancery Language (Mid-Fourteenth-Mid- Fifteenth Centuries)
- 11 Control of Emotions and Comforting Practices before the Scaffold in Medieval and Early Modern Italy (with Some Remarks on Lorenzetti’s Fresco)
- 12 “Bene Comune e Benessere”: The Affective Economy of Communal Life
- Contributors
4 - Humiliation and the Exercise of Power in the Florentine: Contado in the Mid-Fourteenth Century
Published online by Cambridge University Press: 28 December 2023
- Frontmatter
- Contents
- Introduction
- 1 The Place of Renaissance Italy in the History of Emotions
- 2 The Emotional Language of Justice in Late Medieval Italy
- 3 The Anxiety of the Republics: “Timor” in Italy of the Communes during the 1330s
- 4 Humiliation and the Exercise of Power in the Florentine: Contado in the Mid-Fourteenth Century
- 5 The Words of Emotion: Political Language and Discursive Resources in Lorenzo de Medici’s Lettere (1468-1492)
- 6 Metaphor, Emotion and the Languages of Politics in Late Medieval Italy: A Genoese Lamento of 1473
- 7 Debt, Humiliation, and Stress in Fourteenth-Century Lucca and Marseille
- 8 Renaissance Emotions: Hate and disease in European perspective
- 9 The Emotive Power of an Evolving Symbol: The Idea of the Dome from Kurgan Graves to the Florentine Tempio Israelitico
- 10 The Emotions of the State: A Survey of the Visconti Chancery Language (Mid-Fourteenth-Mid- Fifteenth Centuries)
- 11 Control of Emotions and Comforting Practices before the Scaffold in Medieval and Early Modern Italy (with Some Remarks on Lorenzetti’s Fresco)
- 12 “Bene Comune e Benessere”: The Affective Economy of Communal Life
- Contributors
Summary
Medieval historians have long been preoccupied with the relationship between state authority and cultures of violence, as for example in the debates over the identity of the Italian magnates. The last few decades have also seen a turn to understanding violence in terms of emotionality, recognizing that emotional expression could be an aspect of the exercise of power. Gerd Althoff explored this question in terms of how people, particularly rulers, “staged emotions,” using them as a form of ritual communication. One vivid instance is noble anger and violence. Richard Barton argued that nobles in eleventh-century France at times used a show of anger to enforce claims about their prerogatives. A lord might put on a display of affront and rage, to threaten and perhaps seek violent retribution. This contribution builds on the literature on noble anger and the exercise of power by showing its connection with forms of humiliation, drawing on a rich although complex body of sources, mention of emotions in court records. I examine representations of anger and humiliation in mid-fourteenth century denunciations to the Florentine Executor of the Ordinances of Justice. My focus is on three cases in which lords were denounced for the rape and abduction of women. Denouncers to the Executor depicted this in terms of the shame and humiliation of the women's kinsmen. For the denouncers, these abductions and rapes were, in Susan Brownmiller's phrase, “messages between men.”
Of course, the language of the denunciations was very much shaped by cultural and legal categories. I argue that while the three cases probably reflect social experience – elites using anger, sexuality, and humiliation to dominate – the denunciations also reveal rhetorical strategies. One example is a denunciation that depicted a noble driven by rage. It survives in the sentences of the criminal court of the Florentine podestà, and was explicitly adjudicated according to the Ordinances of Justice. Chele Nutini from San Godenzo, in the Mugello, the region north of Florence, had both denounced and accused Count Guido Domestico, of the Guidi counts, a old feudal family with extensive rural holdings.
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- Information
- Emotions, Passions, and Power in Renaissance Italy , pp. 77 - 90Publisher: Amsterdam University PressPrint publication year: 2015