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  3. Dance and Drama in French Baroque Opera
  • Cited by 13
Publisher:
Cambridge University Press
Online publication date:
November 2016
Print publication year:
2016
Online ISBN:
9781316481080
DOI:
https://doi.org/10.1017/CBO9781316481080
Subjects:
Seventeenth-Century Music, Music, Opera
Series:
Cambridge Studies in Opera
Information

Book description

Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.

Reviews

'An indispensable resource for those reconstructing this repertoire for the stage, Harris-Warrick’s book also offers much of interest to scholars in many subspecialties of early modern European history who are willing to do the work of connecting her impressive study to the world beyond the stage.'

Chantal Frankenbach Source: Notes

'Harris-Warrick, a leading scholar of the music of the French baroque, demonstrates an encyclopaedic command of the vast repertoire of the Académie Royale de Musique, drawing on the libretti and scores of well over 100 operas and related genres, including the opéra-ballet, the pastorale héroïque and the little-studied genre of ‘fragments’. … Dance and Drama in French Baroque Opera: A History constitutes a seminal contribution to the field of scholarship in French baroque opera and dance. More than a history, this is a handbook for scholars and performers alike in comprehending the complex thought and dynamic visions that informed seventeenth- and eighteenth-century French opera.'

Natasha Roule Source: Cambridge Opera Journal

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Contents

Page 1 of 2

Contents
  • 2 - Constructing the Divertissement
    pp 24-81
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References

Bibliography

Seventeenth- and Eighteenth-Century Sources

Argenson, Marquis de Paulmy d’. Notices sur les œuvres de théâtre. 2 vols. Ed. Lagrave, Henri. Geneva, 1966.
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Bonnet, Jacques. Histoire générale de la danse sacrée et profane. Paris, 1723. Rpt. Geneva: Slatkine, 1969.
Cahusac, Louis. La Danse ancienne et moderne ou Traité historique de la danse. The Hague, 1754. Rpt. Geneva: Slatkine, 1971. Ed. Lecomte, Nathalie, Naudeix, Laura, and Laurenti, Jean-Noël. Paris: Éditions Desjonquères/Centre National de la Danse, 2004.
Dictionnaire de l’Académie française. Paris, 1694.
Dubos, Jean-Baptiste. Réflexions critiques sur la poésie et sur la peinture (Paris: Mariette, 1719). Trans. Nugent, Thomas as Critical Reflections on Poetry, Painting, and Music, with an Inquiry into the Rise and Progress of the Theatrical Entertainments of the Ancients. 5th ed. London, 1748.
de Noinville, Durey, Bernard, Jacques. Histoire du théâtre de l’opéra en France depuis l’établissement de l’Académie Royale de Musique jusqu’à présent. Paris: Barthou, 1753.
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Feuillet, Raoul Anger. Chorégraphie, ou l’art de décrire la danse. Paris, 1700. Rpt. New York: Broude Bros., 1968.
Feuillet, Raoul Anger (ed.). Recueil de dances contenant un très grand nombre des meilleurs entrées de ballet de Monsieur Pécour et recueillies et mises au jour par Monsieur Feuillet. Paris, 1704. Rpt. Westmead: Gregg International, 1972.
Furetière, Antoine. Dictionnaire universel. The Hague and Rotterdam, 1690.
Gaudrau, Michel (ed.). Nouveau recueil de danse de bal et celle de ballet contenant un très grand nombre des meilleures entrées de ballet de Monsieur Pécour et recueillies et mises au jour par Monsieur Gaudrau. Paris, [1713].
[Gherardi, Evariste.] Le Théâtre italien de Gherardi, ou le recueil général de toutes les comédies et scènes françaises jouées par les comédiens italiens du roi. Amsterdam, 1701. 6 vols. Rpt. of 1741 edition, Geneva: Slatkine, 1969. Excerpts ed. Mazouer, Charles as Le Théâtre italien. Paris: Société des Textes Français Modernes, 1994.
L’Abbé, Anthony. A New Collection of Dances. London: c. 1725. Rpt. introduced by Marsh, Carol G.. London: Stainer & Bell, 1991.
Ladvocat, Louis. Lettres sur l’opéra à l’abbé Dubos. Ed. de La Gorce, Jérôme. Paris: Cicero, 1993.
Lambranzi, Gregorio. Neue und curieuse theatrialische Tantz-Schul. Nuremberg, 1716. Trans. de Moroda, Derra and ed. Beaumont, Cyril W. as New and Curious School of Theatrical Dancing. New York: Dance Horizons, 1966.
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Le Sage, Alain René and d’Orneval, J.-P.. Le Théâtre de la foire, ou l’opéra-comique. 9 vols. Paris, 1721–1737.
Lorin, André. Livre de contredanse. F-Pn ms. fr. 1697. Facsimile, ed. Sutton, Julia as Dances for the Sun King. Annapolis, MD: Colonial Music Institute, 2008.
Magri, Gennaro. Trattato teorico-prattico di ballo. Naples, 1779. Trans. Skeaping, Mary as Theoretical and Practical Treatise on Dancing. London: Dance Books, 1988.
Menestrier, Claude-François. Des Ballets anciens et modernes selon les règles du théâtre. Paris, 1682. Rpt. Geneva: Minkoff, 1972 and 1984.
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Mercure galant (aka Nouveau Mercure galant; Nouveau Mercure; Le Mercure). Paris 1677–1723.
Montéclair, Michel Pignolet. Principes de musique. Paris, [1736].
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Noverre, Jean-Georges. Lettres sur la danse et sur les ballets. Lyon, 1760. Rpt. of 1760 Stuttgart edition, New York: Broude Brothers, 1967.
Parfaict, Claude and François, . Dictionnaire des théâtres de Paris. Paris, 1756. Rpt. of 1770 ed., Geneva: Slatkine, 1967.
Parfaict, Claude and François, . Histoire de l’Académie Royale de Musique (1741). F-Pn (Manuscrits) fonds fr. nouv. acq. 6532.
Parfaict, Claude and François, . Mémoires pour servir à l’histoire des spectacles de la foire. Paris, 1743.
Parodies du Nouveau Théâtre Italien. 4 vols. Paris, 1738.
Pécour, Guillaume-Louis; see Feuillet, (ed.) and Gaudrau, (ed.).
Pure, Michel. Idée des spectacles anciens et nouveaux. Paris, 1668. Rpt. Geneva: Minkoff, 1972 and 1985.
Raguenet, François. Parallèle des Italiens et des Français en ce qui regarde la musique et les opéra. Paris, 1702.
Rameau, Pierre. Le Maître à danser. Paris, 1725. Rpt. New York: Broude Brothers, 1967. Trans. Essex, J. as The Dancing Master. London, 1728. Also trans. Beaumont, Cyril W. as The Dancing Master. London: Beaumont, 1931; rpt. Alton: Dance Books, 2003.
Règles pour faire des ballets. Ms, 195p. F-Po C. 4844.
Regnard, Jean-François. Les Comédies italiennes de J. F. Regnard, republished in Évariste Gherardi: Le Théâtre italien, vol. 2. Ed. Guichemerre, Roger. Paris: Société des Textes Français Modernes, 1996.
Saint-Didier, Alexandre-Toussaint Limojon. La Ville et la république de Venise. 4th ed. The Hague, 1685.
Saint-Hubert, Monsieur. La Manière de composer et faire réussir les ballets. Paris, 1641.
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Tomlinson, Kellom. The Art of Dancing. London, 1735. Rpt. Farnborough: Gregg International, 1970.

Scores and Librettos

Individual scores and librettos, whether from the seventeenth and eighteenth centuries or in modern editions, are mentioned in the relevant chapters. Three important collected series were consulted.

Lully, Jean-Baptiste. Œuvres complètes. General editor Prunières, Henry. Paris: Éditions de la Revue Musicale, 1930–39. Rpt. New York: Broude Brothers, 1966. Three of the ten volumes include operas: Cadmus et Hermione, Alceste, Amadis.
Lully, Jean-Baptiste. Œuvres complètes. General editors de La Gorce, Jérôme and Schneider, Herbert. Hildesheim: Olms, 2001–

  • Series i (Ballets et mascarades), vi: Ballet des Saisons, Les Amours déguisez, Ballet royal de Flore (2001)

  • Series ii (Comédies-ballets et autres divertissements), iv: Monsieur de Pourceaugnac, Le Bourgeois Gentilhomme (2006); vi: Psyché (2007)

  • Series iii (Opéras), iv: Thésée (2010); vi: Isis (2014); xiv: Armide (2003).

Recueil général des opéra représentés par l’Académie Royale de Musique depuis son établissement. 16 vols. Paris: Ballard, 1703–1746. Rpt. Geneva: Slatkine, 1971. For Quinault’s librettos, see also Norman, (ed.).

Sources since 1800

Abbreviations

ACRAS

Association pour un Centre de Recherche sur les Arts du Spectacle aux 17e et 18e Siècles

COJ

Cambridge Opera Journal

EM

Early Music

JAMS

Journal of the American Musicological Society

JSCM

Journal of Seventeenth-Century Music (online, open access)

ML

Music and Letters

PRMA

Proceedings of the Royal Musical Association

RdM

Revue de musicologie

RMFC

Recherches sur la musique française classique

SDHS

Society of Dance History Scholars

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