Book contents
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
21 - Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
Summary
Main Cast
Tita, played by Lumi Cavazos
Doña María Elena, played by Regina Tome
Pedro Muzquiz, played by Rodolfo Arias
Chencha, played by Pilar Aranda
John, played by Mario Iván Martínez
Crew
Screenplay: Laura Esquivel
Music: Leo Brower
Setting: Denisse Pizzini, Marco Antonio Arteaga, and Mauricio Aguinaco
Editing: Carlos Bolado, Francisco Chiu
Photography: Emmanuel Lubeski, Steve Berstein
Producer: Alfonso Arau
Director: Alfonso Arau
Awards
Winner, eleven awards (all categories), Mexican Academy of Motion Pictures, 1993
Nominee, Golden Globe, 1993
Nominee, British Academy Award, 1993
Plot
Esperanza, Tita’s niece, recalls the birth of her aunt, Tita, to doña Elena on the kitchen table in Rio Grande in 1895. Doña Elena’s husband, Juan, dies of a heart attack when he discovers his daughter, Gertrudis, is not really his. Pedro Muzquiz asks to marry Tita but doña Elena refuses, and offers him her older sister, Rosaura, whom he accepts. Tita’s tears fall into the batter of the wedding cake, and Pedro and Rosaura’s wedding ends in chaos, tears and mass vomiting. Gertrudis runs off with a villista during the Mexican Revolution. Rosaura gives birth to a child, Roberto. A North-American doctor, Dr John Brown, falls in love with Tita and offers her marriage. Rosaura and Pedro go to San Antonio where the child dies. Tita is nursed back to health by Chencha. Tita accepts Dr Brown’s offer of marriage. Back in Mexico Chencha is raped by some revolutionaries and doña Elena is killed. Rosaura has a second child, Esperanza (the narrator). Pedro and Tita become amorous. Doña Elena’s ghost comes back and curses her. Pedro is severely burnt out of doña Elena’s desire for revenge from beyond the grave. Tita and Rosaura argue about Pedro. 1934: Esperanza, Rosaura’s daughter, is getting married to Alex Brown, Dr Brown’s son. Flashback to Rosaura’s gruesome death (by flatulence). Pedro and Tita finally consummate their love. Pedro dies, and the bedroom explodes into flames. Esperanza explains how the story of her aunt’s love was found among the ashes.
Analytical Overview: The Novel
Set on an isolated ranch in northern Mexico near the Texas border, Like Water for Chocolate (1989, trans. 1993), has the Mexican Revolution (1911–1919) as the main historical backdrop to the story.
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- Chapter
- Information
- A Companion to Latin American Film , pp. 171 - 178Publisher: Boydell & BrewerPrint publication year: 2004