A Companion to Latin American Film

Stephen M. Hart

doi:10.1017/9781846152788

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Cited by 27
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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Hart, Stephen 2005. Slick grit: auteurship versus mimicry in three films by Francisco Lombardi. New Cinemas: Journal of Contemporary Film , Vol. 3, Issue. 3, p. 159.

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CRAIG, LINDA 2008. Exhuming Death of a Bureaucrat. Bulletin of Latin American Research, Vol. 27, Issue. 4, p. 519.

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Burucúa, Constanza Hart, Stephen and Wood, M J 2008. 'New' Latin American Cinema and Authorship: Old Wine in New Bottles?. Hispanic Research Journal, Vol. 9, Issue. 2, p. 147.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 201.

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Ribas, Alberto 2009. 'El pinche acentito ese': deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio:Amores perros, Y tu mamá también,Sin dejar huella. Hispanic Research Journal, Vol. 10, Issue. 5, p. 457.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 34.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 217.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 9.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 180.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 81.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 152.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 195.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 110.

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WOOD, DAVID 2009. Tomás Gutiérrez Alea and the Art of Revolutionary Cinema. Bulletin of Latin American Research, Vol. 28, Issue. 4, p. 512.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 1.

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2009. Crisis and Capitalism in Contemporary Argentine Cinema. p. 57.

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GUTIÉRREZ‐ALBILLA, JULIÁN DANIEL 2010. The Gender Ethics and Politics of Affection: The ‘Feminine’Melodramatic Modein Walter Salles'Central do Brasil(1998). Bulletin of Latin American Research, Vol. 29, Issue. 2, p. 141.

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Hart, Stephen M 2012. From Realism to Neo-realism to Magical Realism: The Algebra of Memory. Romance Studies, Vol. 30, Issue. 3-4, p. 251.

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Minich, Julie A. 2015. Rehabilitating Neoliberalism: Disability Representation in the Films of Alejandro González Iñárritu and Guillermo Arriaga. The Journal of Popular Culture, Vol. 48, Issue. 5, p. 970.

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Fischer, Carl 2016. Queering the Chilean Way. p. 33.

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Stephen M. Hart, Universidad Nacional Mayor de San Marcos, Lima

Publisher:: Boydell & Brewer
Online publication date:: May 2023
Print publication year:: 2004
Online ISBN:: 9781846152788
DOI:: https://doi.org/10.1017/9781846152788

Subjects:: Literature, Area Studies, European Literature, European Studies
Series:: Monografías A

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A history of Latin American cinema, with detailed analysis of the twenty-five best films.

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A Companion to Latin American Film

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-vi

Contents
pp v-v

Plates
pp vi-vi

Prologue: Companion to Latin American Film
pp vii-vii

Dedication
pp viii-viii

Introduction to Latin American Film
pp 1-16

1 - ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
pp 17-24

2 - Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
pp 25-32

3 - Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
pp 33-39

4 - Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
pp 40-46

5 - Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
pp 47-53

6 - Lucía (1968), Directed by Humberto Solás
pp 54-61

7 - El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
pp 62-68

8 - Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
pp 69-76

9 - La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
pp 77-82

10 - La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
pp 83-90

11 - Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
pp 91-98

12 - El Norte (The North, 1983), Directed by Gregory Nava
pp 99-106

13 - Camila (1984), Directed by María Luisa Bemberg
pp 107-115

14 - La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
pp 116-124

15 - Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
pp 125-132

16 - La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
pp 133-137

17 - Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
pp 138-144

18 - La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
pp 145-153

19 - El Viaje (1991) the Voyage, Directed by Fernando Solanas
pp 154-161

20 - Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
pp 162-170

21 - Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
pp 171-178

22 - Central do Brasil (Central Station, 1998), Directed by Walter Salles
pp 179-185

23 - Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
pp 186-194

24 - Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
pp 195-202

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