Book contents
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
23 - Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
Published online by Cambridge University Press: 05 May 2023
- Frontmatter
- Contents
- Plates
- Prologue: Companion to Latin American Film
- Dedication
- Introduction to Latin American Film
- 1 ¡Qué Viva México! (Long Live Mexico, 1931), Directed by Sergei Eisenstein
- 2 Los Olvidados (The Young and the Damned, 1950), Directed by Luis Buñuel
- 3 Dos Tipos de Cuidado (Two Types of Care, 1952), Directed by Ismael Rodríguez
- 4 Orfeu Negro (Black Orpheus, 1959), Directed by Marcel Camus
- 5 Memorias Del Subdesarrollo (Memories of Underdevelopment, 1968), Directed by Tomás Gutiérrez Alea
- 6 Lucía (1968), Directed by Humberto Solás
- 7 El Chacal de Nahueltoro (The Jackal of Nahueltoro, 1969), Directed by Miguel Littín
- 8 Yawar Mallku: La Sangre Del Cóndor (The Blood of the Condor, 1969), Directed by Jorge Sanjinés
- 9 La Batalla de Chile (The Battle of Chile, 1975–1979), Directed by Patricio Guzmán
- 10 La Última Cena (The Last Supper, 1977), Directed by Tomás Gutiérrez Alea
- 11 Pixote: A Lei Do Mais Fraco (Pixote: The Law of the Weakest, 1980), Directed by Héctor Babenco
- 12 El Norte (The North, 1983), Directed by Gregory Nava
- 13 Camila (1984), Directed by María Luisa Bemberg
- 14 La Historia Oficial (The Official Version, 1984), Directed by Luis Puenzo
- 15 Cartas Del Parque (Letters in the Park, 1989), Co-Directed by Tomás Gutiérrez Alea and Gabriel García Márquez
- 16 La Tarea (Homework, 1989), Directed by Jaime Humberto Hermosillo
- 17 Yo, La Peor de Todas (I, the Worst of all, 1990), Directed by María Luisa Bemberg
- 18 La Frontera (The Frontier, 1991), Directed by Ricardo Larraín
- 19 El Viaje (1991) the Voyage, Directed by Fernando Solanas
- 20 Fresa Y Chocolate (Strawberry and Chocolate, 1993), Directed by Tomás Gutiérrez Alea
- 21 Como Agua Para Chocolate (Like Water for Chocolate, 1993), Directed by Alfonso Arau, Based on the Novel of the Same Name by Laura Esquivel
- 22 Central do Brasil (Central Station, 1998), Directed by Walter Salles
- 23 Amores Perros (Love’s a Bitch, 2000), Directed by Alejandro González Iñárritu
- 24 Y Tu Mamá También (and Your Mother Too, 2001), Directed by Alfonso Cuarón
- 25 Cidade de Deus (City of God, 2002), Directed by Fernando Meirelles
- Guide to Further Reading
- Glossary
- Select Bibliography
- Index
Summary
Cast
Octavio, played by Gael García Bernal
Susana, played by Vanessa Bauche
Daniel, played by Alvaro Guerrero
Valeria, played by Goya Toledo
Jorge, played by Humberto Busto
Luis Miranda Solares, played by Jorge Salinas
Ramiro, played by Marco Pérez
Gustavo Garfias, played by Rodrigo Murray
Leonardo, played by Jose Sefamí
El Chivito, played by Emilio Echeverría
Andrés, played by Ricardo Dalmacci
Crew
Executive Producers: Martha Sosa Elizondo, Francisco González Compeán
Photography: Rodrigo Prieto
Production Designer: Brigitte Broch
Wardrobe: Gabriela Diaque
Casting Director: Manuel Teil
Original Music: Gustavo Santaolalla
Production Director: Tita Lombardo
Editors: Alejandro González Iñárritu, Luis Carballar, Fernando Pérez Unda Audio Design: Zeta Audio by Martín Hernández
Musical Supervisor: Lynn Fainchtein
Associate Producers: Raúl Alvaro Ferrer, Guillermo Arriaga Jordan, Pelayo Gutiérrez, Mónica Lozano
Awards
BAFTA winner, The Orange British Academy Film Award, Best Film not in the English Language, 2000
Winner, Critics’Week, International Film Festival, Cannes, 2000
Winner, Film Festival, Bogotá, 2000
Winner, Chicago International Film Festival, 2000
Winner, São Paolo International Film Festival, 2000
Nominee, Best Foreign Film, Academy of Motion Picture Arts and Sciences,
Hollywood, 2000
Plot
The film opens with a car chase, Octavio and his friend are being pursued by a gang in a truck wielding a gun, and have a dog bleeding to death on the back seat. Car crash; the woman in the other car is screaming to get out. Cuts to a dog fight in which Jarocho’s dog wins, and then to the house in which Susana and Ramiro live with Ramiro’s mother and Ramiro’s brother, Octavio. Susana accidentally lets the dog out, Cofi, and it kills Jarocho’s dog. Jarocho asks for Alejandro’s dog in exchange, but he refuses. Chivito pulls out a gun and shoots someone in the back sitting in a restaurant. Daniel and his wife, Julieta, come home; the phone rings but nobody’s there. Susana tells Octavio that she is pregnant with Ramiro’s child; Octavio confesses his love for his sister-in-law, Susana. Ramiro and his friend rob a pharmacy. It soon becomes clear that what we are seeing is not cross-cutting so much as flashbacks to different scenes from different people’s lives. We reconstruct Octavio’s life as he begins to win money with his dog, Cofi, and tries to persuade Susana to run off with him.
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- A Companion to Latin American Film , pp. 186 - 194Publisher: Boydell & BrewerPrint publication year: 2004
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